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Timothy Oulton & Allot Ex-Showroom Luxury Furniture Auction: High-End Seating, Fine Art, Designer Lighting, Luxury Carpets & Exclusive Pieces
Auction dates
Sep 15, 2026 10:00 AM BST
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We found 639 items matching your search
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Transitional Louis XV – Louis XVI Side Chair, in the Manner of Delanois A finely crafted French side chair in the transitional style between Louis XV and Louis XVI, executed in the manner of Nicolas – Quinibert Foliot, known as Delanois. The beechwood frame is richly carved with fluted detailing along the seat rail and stiles, reflecting the emerging neoclassical aesthetic of the late 18th century. Elegant cabriole legs and a comfortable curved back define the chair’s silhouette, blending Rococo grace with classical restraint. The fabrication is in solid beech, with traditional upholstery techniques including a steel – sprung and horsehair – stuffed seat and back for enduring comfort and authenticity. The floral – patterned fabric is secured with hand – applied decorative nails, completing the Period Style look. This piece exemplifies the stylistic evolution of French furniture design and would make a distinguished addition to any collection of fine antiques. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 607]
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A Pair of Cabriolet Charret – Directoire Period Style Armchair An elegant and finely crafted small armchair in the Cabriolet Charret style, dating from the refined Directoire Period Style (late 18th to early 19th century). This piece exemplifies the transitional aesthetic between Louis XVI classicism and Empire austerity, offering both grace and structural clarity. The solid wood frame is entirely hand – carved, showcasing exquisite craftsmanship. Fluted front legs are turned and tapered, supporting a sculpted apron with subtle decorative motifs. The rear legs curve gently into a rectangular backrest, culminating in a scroll – top crest – an iconic Directoire silhouette. The back features a hand – woven cane infill, framed by the carved wood structure. The armrests are gracefully integrated, extending from the front legs in a continuous cabriole curve, providing both support and visual harmony. The seat is traditionally built with coil springs and quilted horsehair, offering comfort and resilience. It is upholstered in a refined green fabric, complementing the chair’s classical lines and enhancing its vintage charm. This piece presented in an historically inspired finish:Height: 34 inch. Dimensions: Width: 22 inch Depth: 18 inch Height: 87 cm Width: 56 cm Depth: 48 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 608]
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Louis XIV Cabriolet Armchair “Amand” – Multi – Colour Hand – Painted Beechwood An elegant and richly detailed Louis XIV – style cabriolet armchair, model “Amand.” Crafted from solid beechwood and finished in a vibrant, multi – colour hand – painted scheme, this piece exemplifies the grandeur of French classical design. The frame is masterfully carved with intricate acanthus leaf motifs and floral scrollwork, showcasing the artisan’s skill and attention to detail. The curved armrests and backrest flow seamlessly into the cabriole legs, which are connected by a finely carved X – shaped stretcher – both decorative and functional – adding structural integrity and visual harmony. Upholstered in a luxurious red and gold floral fabric, the chair features traditional construction with a steel – sprung seat and horsehair – stuffed cushion and backrest. A refined and collectible piece that embodies timeless craftsmanship and regal sophistication. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 611]
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Cabriolet Chair "Roussin" – Louis XVI Style An exquisite example of French neoclassical design, this cabriolet armchair in the Louis XVI style showcases masterful craftsmanship and timeless elegance. The frame is meticulously hand – carved from solid beechwood, featuring refined detailing throughout. The gracefully curved cabriole legs are fluted in the classical tradition, echoing the vertical lines of ancient columns and enhancing the chair’s architectural harmony. The armrests are elegantly fluted and gently scrolled, seamlessly integrating into the frame while offering both comfort and visual balance. A carved H – shaped stretcher connects the legs, adding structural integrity and a touch of sophistication with its ornamental flourishes. Upholstered in a richly textured reddish – brown fabric, the chair is finished with traditional leaf fibre trimming over helical springs, ensuring both comfort and authenticity. Decorative nailhead trim outlines the seat, backrest, and armrests, accentuating the chair’s refined silhouetteHeight: 37 inch. Dimensions: Width: 18 inch Depth: 18 inch Height: 96 cm Width: 47 cm Depth: 46 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 613]
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An Elegant Louis XV Style Carved Beechwood Fauteuil / Easy Chair, After Nogaret An exceptionally elegant Louis XV style fauteuil armchair, executed in the manner of renowned 18th – century Lyonnais menuisier Pierre Nogaret. The chair is constructed from a substantial solid Beechwood frame, intricately hand – carved throughout to capture the fluid, curvilinear lines of the Rococo Period Style . The frame features a graceful, à la reine (Queen's Back) form, with a finely channelled outline and delicate, low – relief rocaille and foliate motifs adorning the cresting rail and apron. The wooden details are particularly noteworthy, including a continuous rope – twist or bead moulding that traces the silhouette of the seat and back, and elegantly formed cabriole legs terminating in scrolled feet. The chair is upholstered in a lavish striped silk or satin fabric in a shimmering coral – pink hue, offering a striking counterpoint to the rich wood patina. It retains its traditional leaf fibre trimming on helical springs, a testament to high – quality construction ensuring enduring comfort and historical authenticity. The generous, loose cushion provides superior ease. A masterpiece of carving and luxurious upholstery, this easychair is a distinguished example of the 19th or 20th – century revival of the French Louis XV taste. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 614]
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Louis XV Small Armchair "Beaudry" (Circa Mid – 18th Century style) This exquisite antique Louis XV Small Armchair, a model known as a "Beaudry," exemplifies the refined elegance of the mid – 18th – century French Rococo Period Style . The sturdy beech frame, exhibiting a beautiful patina consistent with age, is distinguished by its thoroughly hand – carved embellishments, where fluid rocaille curves and gentle scrolling replace any vestige of symmetry. The seat and back retain their authentic, time – honoured structure, utilizing traditional steel sprung and horsehair stuffing for enduring comfort and shape. The frame's visual lightness is achieved through the signature cabriole legs, which flow gracefully from the undulating apron with a pronounced knee and elegant taper towards a delicate foot, a defining feature of the era's sophisticated design. This chair is a beautiful, tactile piece of furniture history, presenting a perfect blend of artistic form and functional intimacy.Height: 35 inch. Dimensions: Width: 20 inch Depth: 23 inch Height: 88 cm Width: 60 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 616]
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Louis XV Armchair Nogaret Style This exquisite armchair embodies the perfect, balanced elegance characteristic of the Louis XV style (mid – 18th century), often associated with the celebrated Lyon menuisier (chair maker) Pierre Nogaret. It is masterfully constructed from solid varnished beechwood, a material prized during the Period Style for its fine grain and ability to hold the delicate, hand – carved ornamentation. The frame features the distinct sinuous curves of the Rococo aesthetic, from the undulating apron to the elegantly flared cabriole legs. The arm supports feature the spirited "whiplash – shaped cuffs" (coup de fouet), a signature of the Lyon school. Designed for comfort, the upholstery is traditionally executed with helical springs and leaf fibre trimming, creating a deep, luxurious seat. This piece is defined by its lightness, flowing silhouette, and sophisticated, restrained carving. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 618]
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A Pair of Louis XIV style Armchair Amand This stately armchair, the "Amand," is a superb example of a transitional Louis XIV Period Style fauteuil (armchair), executed in the manner of the celebrated Parisian menuisier Jean Avisse (who was known for both Louis XV and Louis XVI styles, though this piece leans toward the earlier grandeur with anticipatory curves). Crafted from beechwood, the frame is defined by its regal, substantial silhouette and rich, hand – sculpted acanthus leaf decor that adorns the frame and the elegant arm supports. Unlike the rigid forms of early Louis XIV seating, this armchair features an elegantly curved back and legs, a feature that anticipates the coming Rococo movement. The back is fitted with a refined cane panel, offering a delicate counterpoint to the carved frame, while the generous seat features traditional steel sprung and horsehair stuffing, covered by a removable luxurious brocade cushion that rests over the caning, presenting a flexible and sumptuous seating arrangement. The overall design masterfully balances the monumentality of the Sun King's era with a burgeoning sense of grace and comfort.Height: 39 inch. Dimensions: Width: 26 inch Depth: 24 inch Height: 100 cm Width: 65 cm Depth: 61 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 619]
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Louis XVI Style Side Chair Letellier This exquisite chair, designed in the refined and symmetrical Louis XVI style (1774 – 1792), embodies the era's shift toward Neoclassicism, inspired by ancient Greek and Roman models. Crafted from natural wood and finished with paint and delicate parcel – gilding to enhance its carved details, the chair is a masterpiece of precision and restrained elegance. Its most distinctive feature is the upright, classically – inspired framework: the back is beautifully framed by carved balusters flanking the shield – shaped seat back – a design element derived from classical columns. These back stiles (uprights) fluted, terminating in decorative blocks (or dés) where they meet the seat rail, often adorned with carved rosettes. The entire structure is supported by tapered legs, which are fluted like classical columns (effilés), reinforcing the architectural dignity of the design. The seat apron (seat rail) maintains a clean, rectilinear line, minimally decorated with classic running motifs, achieving a sophisticated balance of opulence and sobriety that defines the Louis XVI Period Style .Height: 35 inch. Dimensions: Width: 18 inch Depth: 18 inch Height: 91 cm Width: 48 cm Depth: 46 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 620]
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Louis XVI Style Side Chair Sené – Chatard Style This elegant side chair is executed in the highly refined Louis XVI style (circa 1774 – 1792), exhibiting the hallmarks of the Parisian Neoclassical movement, often associated with renowned menuisiers such as Sené and Chatard. The frame is rigidly architectural, favoring straight lines and right angles over the previous Rococo curves. The upright stiles and tapered legs are characteristically fluted, a detail that mimics the columns of classical antiquity and emphasizes symmetry and proportion. The chair is crafted from natural wood, finished in a subtle tone (like a washed gris or blanc), highlighting the restrained carved ornamentation, which likely includes small rosettes or geometric motifs on the corner blocks (dés). The seat is constructed with Period Style – appropriate comfort, utilizing traditional leaf fibre trimming on helical springs for a deep, supportive feel. The overall design achieves the sophisticated and intellectual purity that defines the best French furniture of the late 18th centuryHeight: 38 inch. Dimensions: Width: 18 inch Depth: 16 inch Height: 97 cm Width: 46 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 621]
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Louis XVI Dining Chair "Sefert" This exquisite Louis XVI style dining chair, referred to as the "Sefert" model, embodies the elegant Neoclassical taste of late 18th – century French design. The chair features a finely carved wooden frame with classic architectural motifs, including slender, tapering arrow legs detailed with delicate fluting. The round, generous seat is luxuriously upholstered in a rich, deep red velvet and edged with a subtle decorative nailhead or pearl beading border. Its focal point is the graceful oval back (en médaillon), which features intricate wicker caning contrasted by the carved frame. The back crest is crowned by a delicate, symmetrical cartouche carving, typically a bow knot or classical floral spray, which unifies the restrained ornamentation and accentuates the chair's overall symmetry and sophistication. This piece perfectly captures the refinement and balance characteristic of furniture produced by master menuisiers like Pierre – François Sefert during the Louis XVI Period Style .Height: 37 inch. Dimensions: Width: 18 inch Depth: 18 inch Height: 95 cm Width: 48 cm Depth: 46 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 624]
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Louis XVI Style Bedside Table "Rousseau" (Natural Cherrywood Finish) This single, exquisite bedside table, executed in the Louis XVI style, is designated as the "Rousseau" model, which refers to the pure and refined Neoclassical principles popularized by influential architects like Pierre Rousseau (architect of the Hôtel de Salm). The design embodies the aesthetic of symmetry, order, and restrained elegance favoured in the late 18th century. Constructed from solid cherrywood, the cabinet features a beautiful natural, polished finish, which highlights the wood's deep, warm tones and fine grain. The piece is structured with straight, tapering legs, which anchor a functional design comprising three drawers – two smaller drawers set side – by – side above a single, wider lower drawer. A practical lower shelf is neatly set between the legs, enhancing the table's architectural stability. Each drawer is fitted with elegant brass ring pulls and escutcheons, and the tapered legs are finished with protective brass sabots (feet). 40 x 40 x 67cm This piece is a superb example of high – quality craftsmanship, offering timeless style and utility. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 627]
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Bedside Table, Louis XVI Style "Gaudron" (Heralding Directoire) This superb Louis XVI style bedside table, known as the "Gaudron" model, represents a pivotal moment in French furniture design, serving as an elegant precursor to the later, more austere Directoire style. The piece adheres to the Neoclassical principles of the late 18th century while incorporating distinctive turned elements that give it a unique decorative flair. Key Design Features (From an Antique Furniture Perspective) Material and Finish: It is constructed entirely of solid cherry wood, valued for its density and warm, reddish – brown patina when polished. The clear, natural finish highlights the quality of the wood. Top and Gallery: The rectangular top features a moulded gallery, a delicate railing, typically made of brass, which both serves a practical purpose (preventing items from falling) and offers a classical detail, common on high – quality Louis XVI side tables. Drawer Configuration: The apron (or belt) of the table is fitted with two drawers, offering streamlined storage. The drawers are typically fitted with small brass knobs or simple ring pulls. Legs and "Gadroon Swelling": The table is supported by four tall, straight, turned legs. A highly distinctive feature is the round gadroon swelling tops – a carved, repeating convex or fluted ornament that gives the top of the legs a noticeable, bulbous shape, placed in a ring on a smooth turned shaft. This bold, turned element contrasts with the plain fluting often seen on other Louis XVI pieces and suggests the transition towards the more robust turning patterns favoured in the Directoire Period Style . Lower Shelf: A functional crotch shelf (or undertier) is fixed between the legs, offering additional display or storage space. While "crotch shelf" is an uncommon descriptor, it refers to the lower shelf often seen on French neoclassical guéridons or tables de chevet, usually united by the four feet. Overall, the table's restrained form, combined with the prominent gadroon turning on the legs, makes this a refined and historically interesting piece that elegantly bridges the Louis XVI era with the emerging Directoire aesthetic.Height: 27 inch. Dimensions: Width: 15 inch Depth: 11 inch Height: 68 cm Width: 39 cm Depth: 28 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 629]
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Louis XV Style Bedside Table "Anet" This exquisite bedside table, known as the "Anet" model (Image 632 – 1), is a captivating example of the Louis XV (Rococo) style, characterized by its organic, flowing lines that reject classical rigidity. The piece is constructed from solid cherry wood and is defined by its dramatic curved and curved throughout the body (bombé), where the sides and apron flow seamlessly into the four finely arched legs (cabriole). It is fitted with three drawers stacked vertically, maintaining the continuous convex curve of the front. The drawers are embellished with characteristic Rococo – style brass handles that follow the undulating form, and a functional shelf crotch (undertier) is fixed low between the legs. This cabinet beautifully captures the intimacy, lightness, and elegant asymmetry of the Style Louis Quinze.Height: 26 inch. Dimensions: Width: 15 inch Depth: 15 inch Height: 67 cm Width: 40 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 632]
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Guéridon "Campan" (Louis XV Style Marquetry) This exceptional piece, styled as the Guéridon "Campan" (Image 637 – 1), is a high – quality reproduction of a model by a great master cabinetmaker of the eighteenth century, with the original design model having been entrusted for restoration. It is a quintessential example of the luxurious Louis XV (Rococo) style, characterized by sensual curves and rich decorative artistry. Marquetry and Veneer: The table is defined by magnificent, intricate marquetry (inlay work). The veneer utilizes exotic and precious woods, specifically rosewood and violet wood (bois de rose et bois de violette), creating a stunning visual display. The front and sides feature bold, sweeping lines of veneer that frame the central motif, which is a spectacular floral basket inlay on the drawer fronts. Form and Curvature: The cabinet has a prominent "Bell shape" (Cloche), meaning the carcase swells out gently (bombé). This fluid form is continued throughout the body, rejecting all straight lines and adhering to the Rococo aesthetic of movement. The bottom apron is dramatically scalloped or waved (mouvementé). Structure: It is constructed from solid cherry wood as the underlying carcase. The practical interior features three drawers stacked vertically. Legs and Mounts: The piece rests on finely arched legs (cabriole). These legs are often terminated in elegant gilt – bronze sabots (feet), and the drawers are fitted with Rococo – style brass handles and escutcheons, often cast in asymmetrical shell or foliage forms that complement the overall design. This guéridon is a remarkable showcase of the Louis XV Period Style 's highest decorative achievements, combining sophisticated marquetry, luxurious materials, and the Period Style 's characteristic curvilinear elegance.Height: 26 inch. Dimensions: Width: 15 inch Depth: 15 inch Height: 67 cm Width: 40 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 637]
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Guéridon "Brodat" (Transition Style) This graceful guéridon, styled as the "Brodat" model is a superb example of the Louis XV/Louis XVI Transition style (c. 1760 – 1774). This influential Period Style marked the shift from the fluid, organic ornamentation of the Rococo (Louis XV) to the ordered, straight lines of Neoclassicism (Louis XVI). Style and Design Elements Transitional Style: The table successfully integrates the aesthetics of both Period Style s. The overall structure retains the elegant, airy scale of a Louis XV side table. Legs (Curved but Formal): The legs are tall cabriole legs (finely arched supports), a hallmark of the Louis XV style. However, their curve is restrained and subtle, giving them a straighter, more formal appearance that anticipates the tapering columns of the Louis XVI style. Marquetry (Geometric and Rococo): The marquetry work perfectly illustrates the transition: Neoclassical Influence: The surfaces (top, drawer, and lower shelf) are dominated by highly rational and geometric parquetry, specifically the complex three – dimensional cube or illusionary trellis pattern. This ordered geometry is a direct reflection of the Neoclassical taste. Rococo Influence: The apron (frieze) is curved inward (cintré), and the central medallion on the drawer often features a small, softer, foliage or floral motif. The lower shelf is also gently scalloped, maintaining a final touch of the Rococo's curvilinear grace. Gilt Bronze Mounts: The table is accented with elegant gilt – bronze sabots (feet). The bronze feet are a feature carried over from the Louis XV era to protect the wood, but are typically smaller and less elaborate during the Transition. Structure: It features a single drawer in the belt and a practical lower shelf, both covered in intricate marquetry. This guéridon is a stunning example of the Transition Period Style , celebrating technical brilliance with its illusionistic parquetry while retaining the graceful movement and intimate scale of its Rococo predecessors. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 642]
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Guéridon "Laussel" (Louis XV Style) This exquisite small cabinet, styled as the Guéridon "Laussel" (Image 646 – 1), is a highly decorative and luxurious piece executed in the high Louis XV (Rococo) style (c. 1730 – 1760). It is a masterful display of ébénisterie, combining rich materials, intricate marquetry, and expressive curvilinear forms. Overall Shape and Curvature: The design is quintessentially Louis XV, defined by its lack of straight lines and its continuous, fluid form. The front and sides are gently curving or serpentine (bombé), with the body resting upon slender cabriole legs. The lower edge of the apron is typically scalloped or waved (mouvementé), ensuring that the movement flows throughout the structure. A particularly luxurious feature is the delicate pierced gallery (galerie ajourée) surrounding the top edge. This gallery offers a decorative flourish, enhancing the elegance of the top, and practically prevents items from sliding off the surface. This pierced design is highly ornamental and reflects the refined taste of the Rococo Period Style . Drawers and Shelf: The structure features two drawers stacked vertically within the curving belt, maintaining the bombé profile of the front. It also includes a practical lower shelf (entrejambe), which is generally curved to follow the movement of the legs. Marquetry and Trim: The surfaces are covered in rosewood and violet marquetry in a losange (diamond/trellis) pattern. The piece is further embellished with elaborate, asymmetrical, and finely chiseled bronze trim and handles (ormolu) that cascade down the stiles and accentuate the curves, enhancing the luxury and movement of the design. This guéridon is a stunning example of the Louis XV aesthetic, characterized by its graceful, curving form, intricate marquetry, and the refined detail of the pierced bronze gallery. Dimensions: Height: 27 inch Width: 16 inch Depth: 12 inch Height: 70 cm Width: 43 cm Depth: 33 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 646]
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Table "Violon" (Louis – Philippe Style) This attractive centre or occasional table, known as the "Violon" (Violin) model (Images 650 – 1 and 650 – 4), is characteristic of the Louis – Philippe style (c. 1830 – 1848), which favoured solid construction, comfortable lines, and a blend of simplified historical motifs. The piece is influenced by designs of Georges Jacob and the subsequent Empire and Restauration styles carried on by his sons, embodying the Period Style 's preference for robust classical turning and stability. Period Style Style: The piece embodies the Louis – Philippe aesthetic – a sturdy, unpretentious style popular with the bourgeoisie, emphasizing function and solidity over excessive ornamentation. It is crafted from solid cherry wood (Merisier massif), which provides a rich, warm finish and the robust durability valued in this era. Shape ("Violon"): The tabletop is the defining feature, having a distinctive "Violon" or violin/kidney shape. This shape is curvilinear and asymmetrical, demonstrating a subtle, lasting influence of the earlier Rococo (Louis XV) taste for serpentine lines, but executed with a simplified, thicker edge profile. Drawers and Apron: The apron (or belt) follows the curved contour of the top and contains either a central drawer or small drawers on the sides. The drawer front is simple, typically featuring a single, undecorated knob. Pedestal and Base: The table is supported by a robust central pedestal base. Pedestal: The central column is boldly turned, featuring a prominent bulbous or spool shape. This heavy turning is typical of Louis – Philippe furniture, providing a strong sense of stability. Feet: The table stands on a tripartite or quadruped scalloped base that features pronounced, outward – sweeping cabriole feet which terminate in scrolls. These scrolling feet, while curved like the cabriole legs of Louis XV, are much heavier and more solid, perfectly illustrating the Louis – Philippe preference for robust, anchored forms. This "Violon" table is a fine reproduction example of 19th – century domestic furniture, successfully combining a graceful, curved top with a strong, solid pedestal base. H67 L130 P80. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 650]
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Easy Chair "Pichon" (Restauration Style) This comfortable easy chair (fauteuil), styled as the "Pichon" model, is a strong representation of the Restauration style (c. 1815 – 1830), which focused on comfort, elegance, and unpretentious harmony. Style and Manner: The chair embodies the domestic simplicity and comfort prioritized during the Restauration Period Style , offering a lighter, more graceful form than the heavy Empire style that preceded it. It is built in the general Manner of the Parisian Menuisiers (joiners) of the early 19th century, who produced vast quantities of high – quality, elegant seating that focused on strong lines and comfort, such as that made by cabinetmakers in the Faubourg Saint – Antoine. Frame and Construction: The frame is made of solid beechwood. The piece is built for superior comfort, featuring a high, supportive back and a deep seat. It utilizes traditional leaf fibre trimming on helical springs for the cushioning, an innovation of the Period Style that significantly improved the comfort of seating. Arms and Back: The chair features an arched or circular arc backrest. The armrests are padded and rest on boldly turned supports, often described as having a crook and roll or a console form. The exposed wood frame is decorated with delicate ornamentation, typically grooves or light channeling, emphasizing the structural form.Legs The chair's legs are a definitive feature of the Restauration style. Front Legs: The front legs are sturdy and often in a console or turned shape, sometimes described as the "frog leg" shape (pieds de grenouille), which is a recognized symbol of the Restauration style. Rear Legs: The back legs are characteristically straight or splayed outward (saber shaped), providing stability and a subtle flow. Influence: The simple, well – structured lines and quality of execution are influenced by the work of master menuisier Georges Jacob and his subsequent firm, Jacob Frères and Jacob – Desmalter, whose designs laid the groundwork for the restrained Neoclassical styles that defined the 19th century. This chair is a fine illustration of 19th – century domestic elegance, offering a comfortable blend of refined curvature and solid construction.Height: 37 inch. Dimensions: Width: 23 inch Depth: 18 inch Height: 94 cm Width: 59 cm Depth: 46 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 651]
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Bench "Georges Jacob" (Transition Style) This elegant small bench (petit banc), styled in the manner of the great menuisier Georges Jacob (1739 – 1814), is a fine illustration of the Louis XV/Louis XVI Transition style (c. 1760 – 1774). This Period Style bridges the organic curves of the Rococo with the structural formality of Neoclassicism. Design, Carving, and Influence Style and Influence (Jacob): The bench's design is heavily influenced by Georges Jacob, who was a major menuisier (chairmaker) of the late 18th century, transitioning his work from Louis XV grace to Louis XVI classicism. Jacob's early Transition and Louis XVI seating favoured elegant, rectilinear forms and light, crisp carving. Shape and Structure: The bench features a long, rectilinear shape with a clean, straight seat rail, a defining characteristic of the emerging Louis XVI style. Legs and Carving: The bench is supported by six legs, offering structural stability for its length. Form: The legs are straight and tapered, moving away from the Louis XV cabriole curve. This form is a hallmark of the Louis XVI style. Carving: The legs are adorned with vertical fluting (or cannelures), a classical Greek motif that became ubiquitous in the Louis XVI Period Style . The leg terminates in a finely carved foot or sabot. Seat Rail (Apron): The long, straight seat rail (apron) is detailed with carved geometric bands, often incorporating motifs like beading, interlacing, or a repeated stylized pattern. The vertical supports where the legs meet the rail are often topped with a carved die or block featuring a rosette. These decorative motifs are all firmly in the Neoclassical vocabulary. Construction and The frame is constructed from solid beechwood. The seating uses traditional leaf fibre trimming on helical springs, reflecting 19th – century improvements in comfort applied to an 18th – century style. The upholstery features a luxurious patterned fabric with vertical stripes and elaborate floral or urn motifs. This small bench is a superb illustration of the Transition and Louis XVI aesthetic, prioritizing classical architectural line, symmetry, and restrained, crisp carving in the manner of a major 18th – century master. Height: 47 cm. Dimensions: Width: 153 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 652]
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Lady's Desk "Bordelais" (Louis XV Style) This charming piece, styled as the Lady's Desk "Bordelais", is a sophisticated representation of the Louis XV (Rococo) style (c. 1730 – 1760), and specifically references the style prevalent in the Bordeaux region (Bordelais), known for its richly carved provincial furniture. Design, Carving, and Function Style and Form: The desk is a type of secrétaire en pente (slant – front desk) or bureau de pente, defined by its dramatically curvilinear form (bombé). The sides are curved, and the front swells outward, demonstrating the Rococo rejection of straight lines. It is crafted from solid cherrywood (merisier massif), a quality fruitwood favoured in provincial regions like Bordeaux for its rich colour and suitability for deep carving. Carving and Decoration (Bordelais Style): The decoration is achieved through extensive wood carving, typical of the Bordelais Louis XV style, rather than the intricate marquetry found in Parisian pieces. Front: The slant – front top and the drawer fronts below are ornately carved with scrolling rocaille (shell – like) and foliage motifs. The carving creates framed panels that emphasize the curves of the piece. Apron and Knees: The lower apron is highly scalloped (mouvementé) and features a prominent, deeply carved central shell motif. The cabriole legs are accented by carved foliage at the knees. Functionality: The slant – front drops down to reveal a fitted interior known as a "tabernacle". This interior contains a central writing surface (often leather – lined) and multiple small, graduating drawers and open compartments for storing papers and writing implements. The main body contains several large drawers below the writing surface. Hardware: The desk is fitted with ornate, bronze handles and escutcheons. These elements are chased in elaborate, asymmetrical designs that follow and enhance the serpentine lines of the carving. Legs: The desk stands on short, highly arched cabriole legs that terminate in a carved or scrolled foot. This "Bordelais" lady's desk is a superb example of French Louis XV provincial furniture, combining elegant curves with rich, deep wood carving and practical functionality. Dimensions: Height: 39 inch Width: 49 inch Depth: 21 inch Height: 100 cm Width: 125 cm Depth: 54 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 653]
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Louis XVI Lyre – Back Chair (Neoclassical Style) This superb chair is a classic and highly detailed representation of the Louis XVI (Neoclassical) style (c. 1774 – 1792), celebrated for its elegant, symmetrical forms and refined use of classical motifs. The design is strictly Louis XVI, characterized by its adherence to straight lines and architectural symmetry. The chair is a chaise (side chair). Backrest (Lyre Back): The most defining feature is the Lyre back (dossier en lyre). This motif is a direct and powerful reference to classical Greek and Roman antiquity, symbolizing Apollo, music, and the arts. The carved wooden frame precisely takes the shape of a lyre, often with strings represented by vertical slats. Legs: The supports are the signature Louis XVI style: straight, tapered, and deeply fluted (cannelures). The legs are further adorned with classical rings and grooves. Carving and Detail: The frame is finished with exceptional hand – carving: Beading: The chair features beading (a sequence of carved small spheres or ovals) along the seat rail and often on the outer edge of the backrest, a common Neoclassical motif. Rosettes: The square dies (blocks) where the legs meet the seat rail are crisply carved with rosettes Material, Finish, and Influences Material and Finish: The sturdy frame is made of solid beech wood. The wood often features a polychrome or painted finish (as shown by the red/pink detailing), which was popular in the late 18th century for high – end seating, further emphasizing the classical lines. Construction and Comfort: The seat is generously proportioned and utilizes traditional leaf fibre trimming on helical springs, demonstrating 19th – century construction techniques applied to an 18th – century design. Influence (Manner of Sené): The chair’s aesthetic, particularly its refined use of classical motifs and precise carving, is highly influenced by the work of master menuisier Jean – Baptiste – Claude Sené (1747 – 1803). Sené was known for the exceptional quality and refinement of his carving and for his perfectly balanced, elegant Louis XVI seating. His designs often featured the tight fluting, beaded borders, and classical motifs seen here, directly influencing the look of this piece. This Lyre – back chair is a definitive piece of Neoclassical furniture, celebrated for its structural elegance and sophisticated classical ornamentation, reflecting the mastery of makers like Sené. Height: 36 inch. Dimensions: Width: 16 inch Depth: 16 inch Height: 92 cm Width: 43 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 656]
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Louis XV style Regional Sideboard "Kerbréhan" This magnificent piece, styled as the Louis XV Regional Sideboard "Kerbréhan" is a luxurious, high – quality reproduction showcasing the ultimate decorative elegance of the Louis XV (Rococo) style (c. 1730 – 1760), particularly the more robust, carved aesthetic found in French provincial regions. Design, Shape, and Carving Form and Curvature: The cabinet's form is defined by its dramatic outward curve (bombé) and overall curvilinear structure, resting on short, finely arched cabriole legs. The amply rounded midriff (bombé) is a hallmark of the Rococo style, creating an energetic, fluid visual movement across the façade. Material and Construction: The piece is manufactured entirely in solid cherry wood, a rich – coloured material favoured in provincial (regional) centers for its durability and suitability for deep carving. Drawers and Apron: The sideboard holds two good size drawers that follow the sweeping curve of the bombé front. The lower edge of the apron is scalloped (mouvementé) and features a centrally placed, finely carved rocaille (shell – like) motif. Carving and Framing: The drawer fronts are carved with scrolling frames that hold the bronze hardware, emphasizing the graceful movement of the wood. Carving may also detail the stiles and the knees of the cabriole legs, further adhering to the naturalistic, asymmetrical aesthetic of the Rococo Hardware: The drawers are fitted with decorative bronze drop handles and ornate escutcheons, This "Kerbréhan" sideboard is a striking testament to the decorative elegance of the Louis XV style, faithfully executed in the quality and tradition of French regional cabinetmaking.Height: 25 inch. Dimensions: Width: 53 inch Depth: 20 inch Height: 64 cm Width: 135 cm Depth: 52 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 658]
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Louis XV Style Armchair (Bergère) This elegant small armchair, often referred to as a Bergère (fauteuil en bergère), is styled in the classic Louis XV (Rococo) manner (c. 1730 – 1760), celebrated for its emphasis on comfort, graceful curvature, and intimate domesticity. Design, Shape, and Comfort Style and Form: The chair is a classic Louis XV bergère, distinguished by its enclosed, deep seat and fully upholstered back and arms, providing superior comfort. The frame is defined by its sweeping, curved back and armrests and its complete rejection of straight lines, which is the hallmark of the Rococo aesthetic. Frame and Fabrication: The structure is crafted from beech wood, which is ideal for the elaborate carving required by the style. Legs (Cabriole): The chair stands on elegant cabriole legs, which feature a delicate double curve, flowing seamlessly from the seat rail down to a subtle scrolled foot. The legs are often lightly carved at the knee and apron with small rocaille or floral motifs. Construction and The upholstery utilizes traditional steel sprung and horsehair stuffed cushion and back. This is the classic 18th – century construction method, updated with steel springs for maximum comfort and durability, ensuring a luxurious feel. This Louis XV style bergère is a charming and authentic reproduction, combining the refined curves of the Rococo with deep, lasting comfort. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 660]
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Louis XV style Easy Chair "Beaudry" This exceptionally comfortable easy chair, styled as the "Beaudry" model is a luxurious representation of the Louis XV (Rococo) style (c. 1730 – 1760), celebrated for its emphasis on curvilinear forms, intimacy, and profound comfort. Design, Shape, and Comfort Style and Form: The chair is a deep, generously proportioned fauteuil (armchair) defined by its graceful, sweeping curves, particularly the scalloped outline of the backrest and the pronounced serpentine front rail. This complete rejection of straight lines is the defining characteristic of the Rococo aesthetic. Frame and Fabrication: The structure is crafted from solid beechwood, ideal for the intricate carving required by the style. The frame features a dark stain, which accentuates the carved beading along the edge of the seat rail and back. Legs (Cabriole): The chair stands on elegant cabriole legs, which display the delicate double curve typical of Louis XV supports. The legs flow seamlessly from the heavily carved seat rail down to a subtle foot. Construction and Built for maximum luxury and durability, the seat utilizes traditional leaf fibre trimming on helical springs ensures lasting comfort. The chair is finished in a luxurious linen velvet (as indicated by the rich texture and sheen). The upholstery is secured with decorative brass nailheads along the frame. This "Beaudry" easy chair is a handsome and supremely comfortable piece, perfectly capturing the gracious, curved aesthetic of the Louis XV Rococo style.Height: 35 inch. Dimensions: Width: 26 inch Depth: 23 inch Height: 87 cm Width: 67 cm Depth: 58 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 661]
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Lady's Desk "Moncontour" (Louis XV Style) This elegant writing desk, styled as the Lady's Desk "Moncontour" (Secrétaire dos d'âne), is a superb representation of the high Louis XV (Rococo) style (c. 1730 – 1760), prized for its refined curves and intimate scale. The design is defined by its fluid, curvilinear form, including gently outward – curving sides and four long, slender cabriole legs. The wood surface is richly adorned with ornate wood carving, featuring asymmetrical scrolling rocaille and foliage motifs on the slant – front and drawer apron, with a prominent central shell motif carved into the scalloped lower edge. Fitted with decorative gilt – bronze escutcheons, this desk beautifully captures the delicate grace and fluid movement of the Rococo aesthetic. Dimensions: Height: 39 inch Width: 49 inch Depth: 21 inch Height: 90 cm Width: 70 cm Depth: 44 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 662]
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A Pair of Louis XVI Style Giltwood and Painted Fauteuil Armchair, Après Jean – Baptiste Sené, 19th or 20th Century This finely proportioned fauteuil armchair is a direct copy (après) of the celebrated Louis XVI Period Style style of Jean – Baptiste Sené (1747 – 1803), one of the most prominent menuisiers (chair makers) for Marie Antoinette. The frame is executed in the Neoclassical taste, featuring a gracefully curved, flat upholstered back and straight, tapered legs. The frame is giltwood and painted (or gesso), finely carved with characteristic Louis XVI motifs, including egg – and – dart (ovum) moulding and a ribbon motif across the seat rail, demonstrating elegant restraint and classical symmetry. The chair is traditionally upholstered with leaf fibre trimming on helical springs and covered in a luxurious, woven textile featuring a striped and floral pattern in muted tones of blue, cream, and gold. This piece is a superb example of a high – quality Louis XVI Revival chair, capturing the courtly elegance of the late 18th century.Height: 40 inch. Dimensions: Width: 28 inch Depth: 24 inch Height: 102 cm Width: 70 cm Depth: 60 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 666]
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A Directoire Style Solid Beech and Inlaid Side Chair, Après Henri Jacob, This elegant side chair is executed in the severe yet graceful Directoire style (c. 1795 – 1804), drawing inspiration from the designs of the noted menuisier Henri Jacob (1753 – 1824). The frame is constructed of mahogany or a dark fruitwood, featuring a distinct, tall wooden backrest that embodies the Period Style 's strict Neoclassical linearity. The crest rail is detailed with carved and inlaid ornamentation, including a lozenge (diamond) reserve framing a classical rosette or sunburst motif, situated above a frieze of repeating scallops and small floral elements. The chair stands on four straight, tapering legs, detailed with ring – turning to the upper section. The seat is luxuriously upholstered with a steel sprung seat and covered in a textured, dark Diamond – Lelièvre fabric, providing sophisticated contrast to the dark wood. This piece is a fine representation of the post – Revolutionary French aesthetic, emphasizing classical restraint and geometric purity. Dimensions: Height: 34 inch Width: 17 inch Depth: 15 inch Height: 88 cm Width: 45 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 668]
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A Fine Directoire Style Mahogany – Toned Fauteuil Armchair, Après François – Honoré – Georges Jacob – Desmalter, This handsome fauteuil armchair is a faithful copy (après) of a model by the esteemed Georges Jacob (2nd generation), referring to the work of François – Honoré – Georges Jacob – Desmalter (1770 – 1841). Executed in solid beech wood with a rich, dark finish, the chair embodies the graceful restraint of the Directoire style. It features a gently curved wooden backrest and elegant turned and fluted arrow legs, which are hallmarks of the Period Style 's rigorous classicism. The back is further detailed with three stylized vertical splats beneath a banded top rail. The curved armrests are supported by turned balusters. The seat is fitted with a comfortable, traditional upholstered cushion, making this piece a superb example of the simplified yet elegant aesthetic of the post – Revolutionary era.Height: 35 inch. Dimensions: Width: 17 inch Depth: 15 inch Height: 90 cm Width: 44 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 671]
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A Louis XV Style Marquetry Slant – Front Desk (Bureau en Pente), Dite 'Fourneris,' 20th Century This charming and compact writing desk is executed in the elaborate Louis XV (Rococo) style, characterized by its elegant curves and naturalistic ornamentation. The case is finished in rich cherrywood, featuring a fall – front lid detailed with book – matched marquetry and a central, delicate floral spray inlay. The desk stands on graceful cabriole legs and features a serpentine – shaped apron. The piece is profusely ornamented with highly detailed, scrolling gilt – bronze mounts, including keyhole escutcheons, drop handles, corner chutes, and sabots. When the lid is lowered, it reveals a fitted interior compartment with numerous small drawers and a central cabinet, as well as a leather – lined writing surface. This beautiful bureau en pente is a quintessential example of the luxurious and asymmetrical aesthetic of the mid – 18th century French court style the design influenced by Charles – Antoine Fourneris (M.E. 1786), a late 18th – century ébéniste.Height: 37 inch. Dimensions: Width: 44 inch Depth: 21 inch Height: 95 cm Width: 114 cm Depth: 55 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 673]
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Louis XVI Style Lacquered Cane – Back Armchair (Fauteuil à la Reine), Dite 'Sefert, This elegant fauteuil armchair is executed in the refined Louis XVI style and designed to a suitable height for a dining table. The frame, constructed of solid Beech wood, features an attractive light, antique lacquered finish that highlights the delicate carving. It is designed with a characteristic oval, caned backrest (dos en médaillon) and stands on straight, fluted, and tapered legs. The seat is built for comfort and longevity using the traditional method of leaf fibre trimming on helical springs, and is upholstered in a striking patterned textile, Hortus – Lelièvre fabric. This chair is a classic example of the light, formal elegance achieved by Louis XVI Revival designs. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 676]
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Louis XVI Style centre Table (Table de Salon), Dite 'Lange,' This handsome circular table is executed in the classic Louis XVI style, showcasing the Neoclassical preference for geometric forms and rich materials. The tabletop features fine inlaid work, utilizing the highly figured grain of poplar burl in the centre, banded by polished solid cherrywood. The table is supported by multiple straight, tapered legs and stands on a conforming circular stretcher. The architectural nature of the design is enhanced by decorative bronze elements, including ornate capitals at the top of the legs and sabots (toe caps) at the feet. The table is finished with a smooth satin polish, making it an elegant and substantial focal point for any drawing – room or salon.Height: 24 inch Diameter: 51 inch Diameter: 130 cm. Dimensions: Height: 61 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 678]
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A Louis XV Style Painted Secretaire à Abattant, Dite 'Malmaison,' This charming upright secretaire – cabinet is executed in the intimate and graceful Louis XV (Rococo) style. The case is constructed of solid cherrywood and finished in an appealing, light distressed painted lacquer, which highlights the subtle curves of the top and the gently shaped lower apron. The upper section features a fall – front (abattant) desk, which drops down to reveal a writing surface and a meticulously fitted interior. The internal arrangement is highly functional, comprising multiple stacked small drawers and vertical compartments – including a central, smaller cabinet or coffret – all designed for efficient organization of writing implements and correspondence. This interior cabinetwork contrasts beautifully with the painted exterior. The lower section consists of a pair of paneled cabinet doors for additional storage. The piece rests on short, subtly curved legs and is fitted with ornamental, rococo – style bronze hardware. This cabinet successfully blends the highly practical function of a secretaire with the relaxed, decorative elegance of the Louis XV Revival style. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 679]
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A Louis XV Style Gilded and Lacquered Chauffeuse, Après the Designs of Fourdinois, This charming, low – profile Chauffeuse (fauteuil), designed for intimate seating, is a high – quality copy in the Louis XV (Rococo) style. The design is inspired by the celebrated 19th – century Parisian cabinetmakers Henri – Auguste Fourdinois (1830 – 1907) and his father, Alexandre – Georges Fourdinois (1799 – 1871), known for their exquisite revival furniture. The frame, finished in a combination of gilding and light lacquer, is defined by classic Rococo curves, including elegant cabriole legs and a serpentine apron detailed with subtle, naturalistic carving. The chair is built for comfort, utilizing traditional construction methods like leaf fibre trimming on helical springs. It is dramatically upholstered in Le grés Plage – Christian Lacroix fabric, a rich, dark blue textile that provides a stunning contemporary contrast to the chair's ornate, 18th – century style structure. This piece is a sophisticated blend of French historical elegance and modern luxury. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 680]
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A Transition Style Copper – Lacquered Bench (Banquette), Après Georges Jacob, This elegant, six – legged bench (banquette) is a beautiful revival piece in the Transition style, referencing the formal elegance of Georges Jacob's early Neoclassical work. The solid beechwood frame is finished with an eye – catching copper leaf lacquer. The construction is highly architectural: the frame is carved with delicate bead – and – reel moulding, and it stands on six straight, tapered legs. The legs are richly detailed with classical elements, including rosettes at the top, deeply carved fluting down the shaft, and often feature cascading acanthus or husk carvings. The seat is traditionally crafted using leaf fibre trimming on helical springs and is upholstered in a luxurious Lampas fabric, creating a striking juxtaposition of classical form and rich texture.Height: 19 inch. Dimensions: Width: 55 inch Depth: 17 inch Height: 47 cm Width: 140 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 682]
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A Fine Louis XVI Style Marquetry Corner Cabinet (Meuble d'angle), 'Trophée aux Oiseaux,' This magnificent corner cabinet (Meuble d'angle) is a superb reproduction executed in the formal Louis XVI style. The cabinet, constructed on a solid wood frame, is defined by its rectilinear, space – saving form. Its front is completely covered in rich precious wood marquetry, the highlight of which is the door panel depicting a classical 'Trophée aux Oiseaux'. This intricate design features a lyre, arrows, and a torch entwined with flowers and a central bird, all set against a luminous light – wood ground. The top frieze is decorated with a scrolling vine marquetry pattern. The cabinet is finished in a high – quality "Royale" varnish and adorned with ornamental gilt – bronze mounts on the apron and feet. It is completed by a handsome, figured marble top.Height: 36 inch. Dimensions: Width: 30 inch Depth: 36 inch Height: 93 cm Width: 77 cm Depth: 93 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 684]
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A Fine Directoire Style Painted Side Chair, Après Georges Jacob, Dite 'Porrot,' This elegant side chair (chaise) is a fine reproduction in the Directoire style, referencing a classical model by the grand master Georges Jacob. The frame features a light finish with striking coloured highlights (black banding and classical motifs), emphasizing its refined silhouette. The back is composed of a broad, horizontal top rail decorated with painted details and three symmetrical, open splats below. The legs adhere strictly to the Neoclassical taste: the front legs are turned and richly fluted along their shafts, and are topped by prominent round capitals (die – join blocks) at the seat rail. The back legs and rest are lightly curved for stability. The chair is fitted with a comfortable round upholstered cushion, covered in Néro – Lelièvre fabric, creating a sophisticated piece that embodies the austere, balanced classicism of the post – Revolutionary era.Height: 35 inch. Dimensions: Width: 17 inch Depth: 16 inch Height: 90 cm Width: 44 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 686]
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A Louis XVI Style Marquetry Secrétaire à Abattant, Après Jean – François Hache, 20th Century This monumental stationary cabinet is a magnificent copy (après) of the work of the master ébéniste Jean – François Hache, executed in the sophisticated Louis XVI style. Constructed on a solid wood frame using solid cherrywood, the cabinet is sumptuously decorated with intricate marquetry using cherry, walnut, and ash burl. The centerpiece is the fall – front panel, which features a prominent central floral vase marquetry trophy set against book – matched veneer. When lowered, the abattant reveals a highly fitted writing interior with small drawers and compartments. The cabinet is adorned with finely cast ormolu mounts and is crowned by a slab of Saint Jean Fleury marble. The piece is completed with a rich brilliant varnish finish Height: 59 inch. Dimensions: Width: 35 inch Depth: 17 inch Height: 152 cm Width: 91 cm Depth: 44 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 687]
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A Transition Style Carved Beechwood Bench (Banquette), Après Georges Jacob, This elegant, four – legged bench (banquette) is executed in the desirable Transition style, referencing the early Neoclassical output of master menuisier Georges Jacob. The solid beechwood frame is stained to a warm, rich tone. The apron maintains a largely linear profile detailed with fine moulding, while the bench stands on four beautifully carved cabriole legs. The legs are richly carved with foliate motifs and scrolling details at the knees and feet, maintaining a strong Rococo flourish. The seat is traditionally crafted using leaf fibre trimming on helical springs and is upholstered in the sophisticated, neutral Vanity – Rubelli fabric. This piece successfully bridges the curvilinear elegance of Louis XV with the structural discipline of the emerging Louis XVI aesthetic.Height: 19 inch. Dimensions: Width: 55 inch Depth: 17 inch Height: 47 cm Width: 140 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 688]
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A Louis XIII Style Oak Bench (Banc), Dite 'Vaux,' This handsome bench (Banc) is executed in the early Baroque Louis XIII style, emphasizing strength and architectural form. Constructed of solid oak, the bench features four curved legs supporting a rectangular, upholstered seat. The design is dramatically characterized by its elaborate, low – sitting X – shaped stretcher, which connects the legs with sweeping scrollwork, a distinctive feature of the early 17th – century aesthetic. The seat is traditionally constructed using leaf fibre trimming on helical springs and is covered in a rich Soierie fabric featuring an elaborate acanthus and floral motif. This piece is a faithful and robust revival of one of France's earliest classical furniture styles. 110 x 43 x 47cm This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 689]
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A Louis XVI Style Carved Beechwood fauteuil armchair, Après Lelarge, This sophisticated fauteuil armchair, designated the "Lelarge" model, is a fine reproduction executed in the formal Louis XVI style. The design is inspired by the celebrated work of the master menuisier Jean – Baptiste Lelarge III (1743 – 1802), who was highly successful in producing beautifully carved, elegant chairs for the Royal Court. Constructed of solid beechwood, the exposed frame is exquisitely carved with fine beading and supported by four straight, tapered legs. These legs are a hallmark of the style, being richly fluted along their shafts and detailed with rosettes at the die – join blocks. The chair is traditionally constructed with leaf fibre trimming on helical springs and is sumptuously upholstered in a vibrant blue damask, resulting in an elegant and luxurious piece. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 690]
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A Monumental Empire Style Secrétaire à Abattant, Après Jacob – Desmalter, This monumental writing desk is a fine reproduction executed in the severe and symmetrical Empire style. The design is inspired by the work of the Imperial court supplier, Jacob – Desmalter et Cie, led by François – Honoré – Georges Jacob – Desmalter (1770 – 1841), known for his bold, rectilinear aesthetics. Constructed of warm – toned solid cherrywood, the imposing case is flanked by full – height pilasters accented with classical bronze collars (mounts). The central panel serves as a fall – front (abattant) desk, which drops to reveal a leather – topped writing surface. The interior is highly architectural and functional, featuring a miniature colonnade with fluted columns and a fitted arrangement of five small drawers and open compartments. The lower section provides generous storage with three full – width drawers. The piece successfully captures the powerful, architecturally inspired aesthetic of the Napoleonic era.Height: 57 inch. Dimensions: Width: 38 inch Depth: 20 inch Height: 144 cm Width: 96 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 691]
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A Directoire Style Cherrywood Corner Writing Desk (Meuble d'Angle Secrétaire), Dite 'Elliot,' This sophisticated corner desk (Meuble d'Angle Secrétaire) is executed in the reserved and geometric Directoire style. The design is inspired by pieces created by the grand master François – Honoré – Georges Jacob – Desmalter, who was instrumental in establishing the era's severe, rectilinear aesthetic. Constructed of solid cherrywood, the piece adheres to the style's preference for clean lines, emphasized by the vertical fluting on the side pilasters. The central section features a fall – front (abattant) desk that drops down to reveal a leather – topped writing surface and a fitted interior of drawers and compartments. The doors of the lower cabinet provide enclosed storage. The entire piece relies on the beauty of its wood grain and architectural form for its effect, with restrained decoration limited to minimal gilt – bronze mounts. This highly functional cabinet successfully embodies the elegant austerity of the post – Revolutionary Period Style . This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 692]
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An Empire Style Cherrywood Writing Desk (Bureau Plat), Après Jacob – Desmalter, This monumental writing desk, designated the "Napoléonville 175" model, is an extremely refined reproduction of the Empire style. Its design is inspired by the severe, rectilinear pieces of François – Honoré – Georges Jacob – Desmalter, the principal cabinetmaker to the Imperial court. Constructed of solid cherrywood, the case features a leather top, three drawers, and sliding shelves. The desk's architecture is defined by its dramatic base and leg it stands on four substantial, column legs that are accented with finely chiseled gilded bronzes. The legs are connected by a gracefully curving X – shaped stretcher, which provides both stability and visual balance to the otherwise rectilinear form. The combination of warm wood, columns, and bright bronzes successfully captures the bold and dignified aesthetic of the Napoleonic era.Width: 69 inch. Dimensions: Depth: 27 inch Height: 76 cm Width: 175 cm Depth: 70 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 695]
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A Restauration Style Beechwood Chaise Longue (Méridienne), Dite 'Brifaudon,' This elegant chaise longue (méridienne) is a beautiful reproduction executed in the Restauration/Louis Philippe style, favoring comfort and simple, graceful curves. The design is directly inspired by the refined pieces of Pierre – Antoine Bellangé (1757 – 1827), who became the chief supplier of furniture to the restored Bourbon monarchy and was known for incorporating graceful S – curves and simple classical motifs into his elegant forms. Constructed of solid beechwood, the frame is defined by its graceful scrollwork at the ends, which flow down in subtle S – curves. The decorations are restrained, featuring a simple classical motif on the crest rail. The chaise stands on four turned and tapered legs that are ring – turned at the top, a simple, elegant style favoured during the Restauration Period Style . It is traditionally upholstered with leaf fibre trimming on helical springs and covered in Lelièvre fabric, featuring a plush, light main cushion and contrasting dark blue panels with a delicate repeating pattern.Height: 34 inch. Dimensions: Width: 62 inch Depth: 24 inch Height: 88 cm Width: 160 cm Depth: 63 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 696]
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A Highly Embellished Empire Style Mahogany fauteuil armchair, Après Jean – Jacques Werner, This sumptuous armchair is a striking reproduction in the Empire style, known as the "Werner" model. The design is directly inspired by the leading menuisiers of the Imperial court, specifically Jean – Jacques Werner (1791 – 1849), a cabinetmaker known for incorporating rich carving and sculptural elements into his furniture during the Empire and Restauration Period Style s. Constructed of solid mahogany wood, the frame provides a strong, dark rectilinear profile, which is richly offset by gold leaf and highly sculptural detailing. The console arms feature large, open plant scroll carvings and are heavily gilded. The front legs are straight and square and adorned with classical gilt – bronze palmette mounts, while the back legs feature a slight sabre curve. The chair is traditionally upholstered with superior trim on coil springs and stitched horsehair and is covered in Davout semé – Tassinari & Chatel fabric, a luxurious silk featuring a scattered rosette pattern that epitomizes the formal grandeur of the Napoleonic Imperial taste. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 697]
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A Highly Sculptural Empire Style fauteuil armchair, Après Jacob – Desmalter, Dite 'Pluvinet à Buste,' This commanding fauteuil armchair is a striking reproduction in the Empire style, known as the "Pluvinet à Buste" model. The design is inspired by the masterworks of the Imperial court, notably the firm of Jacob – Desmalter et Cie, which executed the rigid, classical designs codified by Napoleon's Architects Percier and Fontaine. These designers advocated the use of ancient motifs like the Sphinx, which this chair prominently features. Constructed of solid beech wood, the chair is defined by its dramatic sculptural carvings: the armrests are supported by wing head carvings called in Sphinx, featuring a classical human bust. The chair's structural lines are typically emphasized by extensive gold leaf detailing. It is traditionally upholstered with gold leaf fibre trimming on helical springs and covered in satin fabric, which is characteristic of the French Empire style, often incorporating strong contrasts and symbols of war and classical antiquity. The pattern includes vertical stripes and prominent stylized motifs of classical urns or vases with plant arrangements (possibly laurel or wheat), and the overall design uses a clear, strong colour palette of red and gold, resulting in a piece of immense formal opulence.Height: 36 inch. Dimensions: Width: 25 inch Depth: 20 inch Height: 93 cm Width: 65 cm Depth: 52 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 699]
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A Highly Ornate Directoire Style Bergère, Après Jacob – Desmalter, Dite 'Pluvinet Buste,' This commanding Bergère (Fauteuil No. 0340) is a superb reproduction executed in the Directoire style, blending rectilinear structure with mythological opulence. The design is inspired by the formal Neoclassical works of François – Honoré – Georges Jacob – Desmalter and the Imperial aesthetic codified by Percier and Fontaine. The light – finished frame is dramatically defined by its highly sculptural Chimera carvings for the armrest supports, a mythological element favoured by the Empire style. The chair is traditionally upholstered with coil springs and horsehair stuffing and richly adorned with extensive gold leaf highlighting the carvings. It is sumptuously covered in a red and gold satin fabric featuring classical urns and geometric motifs, epitomizing the luxurious transition to the high style of the Napoleonic era. – Height: 38 inch. Dimensions: Width: 28 inch Depth: 22 inch Height: 97 cm Width: 72 cm Depth: 58 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 700]
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A Louis XVI/Early Empire Style fauteuil armchair, Après Jacob Desmalter, This distinguished armchair is a reproduction referencing the transitional Period Style when the Jacob Desmalter firm, the principal supplier to the imperial palace, adapted its forms to the emerging Empire style. The chair features a rectilinear design with a rectangular back – rest and cushion. A notable feature is the fluid "whiplash" armrests, whose graceful curves provide a counterpoint to the chair's overall severity. The frame stands on turned arrow feet, a classic tapered leg design retained from the Louis XVI Period Style . The chair is sumptuously upholstered in silk velvet, embodying the high – quality craftsmanship and formal elegance demanded by the Imperial Court. Dimensions: Height: 36 inch Width: 25 inch Depth: 27 inch Height: 91 cm Width: 65 cm Depth: 69 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 701]
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A Louis XV Style Carved Beechwood fauteuil armchair, Dite 'Tilliard à Coeur,' Après Jean – Baptiste Tilliard, This sumptuous armchair is a faithful reproduction executed in the elegant and highly decorative Louis XV (Rococo) style. The design is inspired by Jean – Baptiste Tilliard, a renowned 18th – century French menuisier known for defining the height of the Rococo taste. Manufactured in solid beechwood, the frame design is characterized by rich, fluid rocaille and floral carving on the crest rail and the scalloped seat rail. The chair stands on gracefully curved cabriole legs and is traditionally upholstered with gold leaf fibre trimming on helical springs. It is covered in casal fabric, featuring a delicate, realistic floral pattern, which perfectly captures the lightness and naturalistic charm of the Louis XV Period Style .Height: 39 inch. Dimensions: Width: 28 inch Depth: 23 inch Height: 99 cm Width: 72 cm Depth: 57 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 703]
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Louis XV style "Rochefort" armchair is a masterful expression of 18th – century French refinement, characterized by its organic, curvilinear silhouette and expertly hand – carved solid beechwood frame. The piece features a signature sculpted seashell (rocaille) motif at both the cresting and the apron, a hallmark of the Rococo Period Style that celebrates naturalistic forms and fluid symmetry. This sense of movement is further enhanced by the elegant cabriole legs and sinuous armrest supports, all finished with a soft, aged patina. The chair is distinguished by its upholstery in the prestigious "Argentan" fabric from the renowned Tassinari & Chatel (Lelièvre) archives; this exquisite crimson lampas, featuring a delicate 1720s – style lace and floral pattern, perfectly complements the frame's historical accuracy. Combining traditional French joinery with one of the world’s most elite silk heritages, this armchair represents a pinnacle of classical interior design.Height: 38 inch. Dimensions: Width: 27 inch Depth: 22 inch Height: 97 cm Width: 69 cm Depth: 57 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 704]
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Louis XVI style armchair is a masterful reproduction of an original design by the historic master Jean – Baptiste III Lelarge, showcasing the architectural elegance of the late 18th – century Neoclassical movement. Crafted from solid beechwood, the frame features a classic medallion back and is supported by tapered, fluted legs topped with finely carved rosettes at the connecting blocks. The seat is constructed using elite, traditional methods, including leaf fibre trimming and quilted horsehair layered over helical coil springs to ensure superior comfort and structural longevity. Finished in a deep, regal crimson velvet, this "Lelarge" model embodies the symmetry and restrained luxury that defined the reign of Louis XVI.Height: 38 inch. Dimensions: Width: 25 inch Depth: 26 inch Height: 96 cm Width: 64 cm Depth: 66 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 705]
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Louis XVI "Transition" style armchair of the "Michalon" model, expertly handcrafted from solid beech and inspired by the neoclassical designs of the renowned Parisian master Louis Delanois. This piece beautifully captures the late 18th – century shift from Rococo to Neoclassicism, featuring a graceful "medallion" back – rest and fluid "whiplash" arm supports that contrast with the architectural rigor of its turned and fluted arrow feet. Detailed with traditional rosette – carved corner blocks and finished in a vibrant crimson velvet with brass nailhead trim, the chair utilizes traditional steel – sprung upholstery to ensure both lasting comfort and structural integrity, serving as a testament to superior French craftsmanship and timeless classical proportions. Dimensions: Height: 37 inch Width: 26 inch Depth: 22 inch Height: 94 cm Width: 67 cm Depth: 56 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 706]
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Our Louis XV style Copenhague Chair An exceptional Louis XV "Copenhague" easy chair, masterfully hand – carved in the manner of 18th – century maître menuisier Nicolas Heurtault and inspired by a celebrated model held in the museum collections of Copenhagen. This spectacular piece epitomizes the high Rococo style, featuring a richly ornamented frame decorated with delicate acanthus leaves, ribbons, garlands, and prominent scallop shells along the crest and seat rail. The armchair is elegantly upholstered in a premium Meillant silk by Tassinari & Chatel, one of France’s most prestigious textile houses, which perfectly complements the frame’s fluid, sculptural lines. Combining historical pedigree with superior craftsmanship, this easy chair serves as a luxurious tribute to the golden age of French seating furniture. Dimensions: Height: 40 inch Width: 28 inch Depth: 31 inch Height: 103 cm Width: 72 cm Depth: 80 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 707]
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Louis Philippe style "Imbert" Voltaire Armchair A classic Louis Philippe style "Imbert" Voltaire armchair, expertly crafted from solid beech wood and designed for optimal comfort and relaxation. Characterized by the iconic "Voltaire" silhouette, the chair features a high, slightly inclined backrest and deep seat, paired with wide armrests that terminate in elegantly sculpted volute scrolls. Reflecting the Restauration Period Style 's shift toward sober, rounded lines, the frame is enriched with refined hand – carved detailing on the arm supports and legs, maintaining a sophisticated balance between comfort and late 19th – century aesthetics. The piece is upholstered in a luxurious forest green Velours de Mohair and built using traditional craftsmanship, including leaf fiber trimming on helical springs to provide the deep, cushioned support for which this design is renowned.Height: 45 inch. Dimensions: Width: 26 inch Depth: 20 inch Height: 114 cm Width: 67 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 709]
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A Louis XVI Style "Secrétaire à Abattant" in Solid Cherrywood An exceptionally fine Louis XVI style "secrétaire à abattant" (drop – front desk), known as the "Béal" model, masterfully crafted in solid cherrywood. This architectural piece epitomizes the late 18th – century shift toward Neoclassical purity, featuring a rectangular silhouette with strictly symmetrical lines. The facade is distinguished by elaborate floral marquetry, headlined by a central medallion depicting a classical vase issuing a bouquet of flowers, framed by geometric "Greek key" fillet borders and contrasting wood veneers. The cabinet is topped with a heavy, contoured marble slab and accented throughout with gilt – bronze (ormolu) mounts, including decorative escutcheons, ring – pull handles, and classical corner rosettes. The lower section offers substantial storage, typically consisting of three wide drawers or a cupboard base. The Interior (The Theater) The fall – front descends to reveal a meticulously organized "theater" interior, designed for personal correspondence and the storage of valuables. Writing Surface: The inner side of the abattant serves as a spacious writing desk, often lined in original leather or fine baize. Compartments: The interior features a symmetrical arrangement of six small drawers and several pigeonholes or cubby – holes, often crafted in contrasting light woods like citronnier or fruitwood. Mechanisms: Supported by brass quadrant slides or internal stays to ensure a stable horizontal surface when in use. Specifications Wood: High – grade cherrywood with a choice of hand – polished or brilliant varnish finish. Ornamentation: Hand – inlaid floral and foliate marquetry; Period Style – correct bronze hardware. Top: Original figured marbleHeight: 59 inch. Dimensions: Width: 35 inch Depth: 17 inch Height: 152 cm Width: 91 cm Depth: 44 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 710]
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Louis XV style "Meunier" Easychair A classical Louis XV style "Meunier" easy chair, expertly crafted in molded and carved beechwood and inspired by the refined designs of 18th – century master menuisier Etienne Meunier. This elegant armchair features the sinuous, flowing lines characteristic of Meunier’s high – quality production, notably seen in the harmonious curves of the backrest and the subtly arched cabriole legs. The piece is built for superior comfort with traditional wire – sprung upholstery and includes a luxurious feather – filled seat cushion for a soft, inviting feel. Adorned with delicate, understated carvings that echo the master’s signature style, this chair serves as a sophisticated example of Parisian Rococo craftsmanship, combining timeless aesthetic grace with exceptional ergonomics.Height: 39 inch. Dimensions: Width: 27 inch Depth: 23 inch Height: 99 cm Width: 70 cm Depth: 58 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 711]
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Louis Philippe style "Mauzancieux" Armchair A distinguished Louis Philippe era "Mauzancieux" dining armchair (circa 1830 – 1848), masterfully executed in solid cherrywood and reflecting the restrained elegance of the Restauration Period Style . The hand – carved frame is defined by its architectural X – shaped backrest, centred by a delicate floral rosette, and fluidly curved armrests that terminate in graceful scrolls. Its front legs exhibit a characteristic "saber" or "consule" curve, enriched with subtle dark – stained accents that highlight the wood’s natural warmth. Built with uncompromising traditional craftsmanship, the chair features leaf fiber trimming on helical springs and is finished with meticulous brass nailhead trim, offering a perfect marriage of 19th – century bourgeois comfort and classical symmetry. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 716]
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"Delanois" Louis XV – style side chair is a sophisticated tribute to the mid – 18th century Rococo Period Style , inspired by the graceful designs of the legendary master menuisier Louis Delanois. Celebrated for transitioning the heavy forms of the early century into the "rocaille" lightness favoured by Madame du Barry, this chair features the iconic cabriole legs that terminate in elegant scroll feet, a hallmark of Delanois’ sculptural fluidity. Expertly fabricated in solid beechwood, the frame boasts a comfortable curved back and a sinuous apron that flows seamlessly into the supports, reflecting a total commitment to organic, curvilinear geometry. The seat and backrest are finished with fine cane webbing, offering a lightweight and breathable aesthetic that was highly prized for its refined, airy quality in French summer salons. Completed with a hand – applied patina to enhance the grain of the beechwood, this piece represents a perfect balance of artisanal durability and the timeless, aristocratic charm of the French court. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 718]
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Napoléonville Empire – Style Solid Beechwood & Chestnut Bookcase This Napoléonville Empire – style bookcase is a commanding example of Neoclassical revival, marrying architectural precision with high – level cabinetmaking. Rendered in a warm – toned solid beechwood, the piece is defined by its striking "bicolor" aesthetic, featuring four full – height ebonized columns capped with gilded brass capitals and bases. The upper tier opens via two large glazed doors to reveal a spacious interior lined with solid chestnut and fitted with adjustable shelving, while the lower credenza provides two solid paneled doors and four discreet drawers for versatile storage. Adorned with classical ormolu mounts – including laurel leaf and rosette motifs on the frieze – this monumental library piece offers both the structural integrity of solid chestnut interiors and the timeless elegance of the French Empire Period Style . A sophisticated focal point for a formal library or executive study, it represents a perfect synthesis of historic grandeur and enduring quality.Height: 88 inch. Dimensions: Width: 57 inch Depth: 21 inch Height: 224 cm Width: 145 cm Depth: 54 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 720]
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