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Timothy Oulton & Allot Ex-Showroom Luxury Furniture Auction: High-End Seating, Fine Art, Designer Lighting, Luxury Carpets & Exclusive Pieces
Auction dates
Sep 15, 2026 10:00 AM BST
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24 % |
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20 % |
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There are 684 lots within this auction
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Chair "Avisse" in Louis XV style is an elegant testament to 18th – century French refinement, handcrafted from solid beechwood to provide a durable yet gracefully workable medium for its intricate sculptural details. The chair's silhouette is defined by its fluid, sinuous lines, featuring a "cabriolet" backrest with a molded frame that culminates in a hand – carved floral cresting at the top rail. This organic theme continues along the serpentine apron, which is prominently decorated with a central bouquet of carved flowers, a hallmark of the Rococo Period Style 's naturalistic aesthetic. Supporting the piece are four slender cabriole legs, featuring high – relief foliate carvings at the knees and terminating in refined scrolled feet. The interior of the "Avisse" chair reflects ancestral savoir – faire, utilizing a traditional steel sprung seat and leaf fibre trimming (vegetal fiber) that is hand – stitched to maintain a robust, tailored profile for generations. This specific model is finished in a luxury gold damask upholstery, featuring a sophisticated floral and foliage pattern that mirrors the botanical motifs of the carved frame. The transition between the rich textile and the warm timber is accented by a meticulously applied row of brass nailhead trim (cloutage), which follows the chair's serpentine contours to highlight the harmony between the weaver's art and the cabinetmaker's hand.Height: 33 inch. Dimensions: Width: 16 inch Depth: 15 inch Height: 85 cm Width: 40 cm Depth: 38 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 776]
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Louis XIV Pedestal Table "Colbert" (Table de séjour) is a masterful reproduction of a ceremonial dining piece dating from the transition between the late Louis XIV Period Style and the early Regency (Régence), a time when furniture began to shift from the massive symmetry of Versailles toward a slightly more fluid, grandiose aesthetic. Handcrafted from solid cherrywood to showcase a warm, deep luster, the table features a magnificent circular top with a radiating veneer pattern where cherrywood segments meet at the centre to create a cross – grain visual effect. This expansive surface is bordered by a distinct circular inlay and an expertly molded rounded thumb – nail edge, typical of the robust Louis XIV style. The true artistry lies in the central support system, featuring a heavy, multifaceted pedestal column accented with recessed panels and hand – painted red and gold fillets that emphasize the geometric precision of the carving. The column terminates in a substantial quadruped base where each of the four sculpted feet extends outward in a graceful, low – slung curve reminiscent of emerging "cabriole" influences. Each foot is adorned with a hand – carved acanthus leaf motif in high relief, finished with gilded accents and terminating in refined scrolled volutes that provide a dignified and stable anchor for the entire piece.diameter 140 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 778]
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Empire Style Chaise Lehaene is a masterful expression of early 19th – century French neoclassicism, characterized by a shift toward the bold, architectural sobriety that defined the reign of Napoleon I. This specific model is a Chaise à l'Officier (Officer’s Chair), a design originally conceived for military campaigns and administrative offices that prioritizes ergonomic support through its distinctive incurved backrest (en gondole). Handcrafted from solid beechwood, the frame exhibits a dense, fine – grained quality required for the precise, geometric carvings and "klismos" inspired profile that draws directly from Greek and Roman antiquity. The top rail features a subtle rolled scroll (volute) at either end, while the base of the backrest transitions into the seat rail through two magnificent hand – carved dolphin consoles – a hallmark of the Empire style rendered with intricate scale patterns to symbolize power and naval triumphs. This architectural form is supported by four saber legs (en sabre) that flare outward to provide a stable footprint and a sense of dynamic movement expertly upholstered in Pigment by Lelièvre. This luxury textile, featuring a deep olive – green matte finish, perfectly complements the warm, honey – toned beechwood and enhances the chair’s masculine, imperial aesthetic for a formal study or dining room.Hauteur: 88 cm Largeur: 57 cm Profondeur: 48 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 783]
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Louis XVI Gaming Chair (specifically known as a Voyeuse or Ponteuse) is an exceptional realization of neoclassical functionalism, designed for the high – stakes card rooms of the late 18th – century French court as a tribute to the celebrated menuisier Jean – Baptiste – Claude Sené, who famously supplied similar bespoke seating to King Louis XVI at Compiègne and Versailles. Handcrafted from solid beechwood and finished in an exquisite painted cream and copper – leaf (feuille de cuivre) scheme, the chair features a distinctive horseshoe – shaped backrest surmounted by a broad, padded armrest specifically engineered for a gentleman to straddle the seat while resting his arms on the crest in a position conducive to intense concentration. The frame serves as a showcase for high – relief sculptural detail mirroring the Greco – Roman revival of the 1780s, including vertical backrest supports adorned with hand – carved acanthus leaf scrolls, square corner dies (raccordement) featuring precision – carved rosette medallions, and delicate channeled mouldings alongside four tapered legs with deep vertical fluting that mimics the columns of antiquity. This architectural integrity extends to the circular seat rail, which is punctuated by additional rosettes and finished with gilded fillets that highlight the transition to the luxury upholstery. True to its heritage, the interior is constructed using traditional techniques like coil springs and hand – stitched horsehair (crin piqué) to ensure a firm, tailored profile, while the exterior is expertly finished in Regard by Lelièvre, a contemporary embroidered line – art textile whose faces create a bold juxtaposition between historic French savoir – faire and avant – garde design.Hauteur: 92 cm Largeur: 48 cm Profondeur: 60 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 785]
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Louis XV style Armchair "Rochefort" is a virtuosic expression of mid – 18th – century French luxury, handcrafted from solid beechwood to provide a robust yet supple canvas for an elaborate sculptural program that represents the peak of the Rococo aesthetic, characterized by a complete rejection of straight lines in favour of a fluid, organic silhouette. The entire frame is finished in an opulent, meticulously aged hand – painted copper leaf (feuille de cuivre) that highlights high – relief decorative motifs, including a tall, slightly flared "en cabriolet" backrest with a distinctively scalloped top rail centred by a magnificent hand – carved seashell (rocaille) and flanked by delicate foliate scrolls. This naturalistic inspiration continues through the deep serpentine apron of the seat rail, which is prominently decorated with a secondary mirrored seashell motif and carved floral sprays that follow the sinuous "S – curve" of the wood down to four classic cabriole legs featuring pronounced foliate carvings at the "knee" and terminating in refined scrolled volute feet. Adhering to the highest standards of traditional French menuiserie, the piece features a traditional upholstered seat, back, and armrests (manchettes) constructed with an interior of helical springs and leaf – fibre trimming for lasting structural integrity. It is expertly finished in Astral by Lelièvre, a luxury textile with a shimmering metallic texture mimicking weathered celestial bodies, providing a striking contemporary contrast to the historic copper – leaf frame while its rich, plum – toned accents harmonize perfectly with the warm metallic finish. Dimensions: Height: 38 inch Width: 27 inch Depth: 22 inch Height: 97 cm Width: 69 cm Depth: 57 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 786]
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Vitrine "Poder" in Louis XVI Style is a sophisticated two – tier cabinet that exemplifies the geometric discipline and refined ornamentation of late 18th – century French neoclassicism, taking its name and inspiration from the architectural Poder influence – a style that emphasizes verticality, balanced proportions, and the use of noble woods to create structured elegance. Handcrafted from solid cherrywood, the vitrine features a clean – lined upper section with glass shelving and side panels designed to display precious objects with unobstructed clarity, while the transition to the lower storage is marked by a waisted moulding and a full – width drawer accented by circular brass pull – rings. The true hallmark of the "Poder" model is its masterful use of marquetry, specifically on the lower cabinet doors which are decorated with a complex diamond – point (parquetry) veneer and a large oval medallion showcasing a virtuosic floral inlay of a blooming lily rendered in contrasting precious woods. This naturalistic focal point is set within a rigid geometric frame where each door panel is enclosed by a delicate ebony and boxwood stringing in a "rope – twist" or "barber – pole" pattern – a traditional detail highlighting the precision of the cabinetmaker's joinery. Consistent with the Louis XVI aesthetic, the vitrine is supported by a pedestal base of four tapered and fluted legs that are crowned and terminated by polished brass ferules (sabots), lending a sense of lightness to the substantial cherrywood frame while protecting the timber. H191 L95 P48. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 787]
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Louis XV style Sideboard "Quilet" (Commode bombé) is a virtuosic expression of mid – 18th – century Parisian luxury, characterized by the fluid, sensual lines that define the height of the Rococo Period Style and drawing primary inspiration from the work of legendary ébénistes such as Charles Cressent and Jean – Pierre Latz. Handcrafted from a sophisticated combination of solid cherry and walnut veneer, the piece features a dramatic double – arched facade and swelling lateral panels – a complex cabinetmaking feat requiring meticulous steam – bending to achieve a seamless, undulating form. This structural dynamism is anchored by a heavy marble top, custom – contoured to follow the serpentine rhythm of the frame, providing a stone – cold contrast to the warmth of the timber. The true artistry of the "Quilet" lies in its extensive use of gilt – bronze (ormolu) mounts, where two full – width drawers are seamlessly integrated into the bombé curve and adorned with elaborate handles and foliate escutcheons. At the centre of the serpentine apron, a magnificent asymmetrical rocaille motif acts as a focal point, while the front corners are clad in chased bronze espagnolettes (stylized foliate scrolls) that flow downward to protect the veneer. The sideboard is supported by four slender cabriole legs, each terminating in refined bronze sabots that protect the delicate wood from wear while adding a final touch of regal brilliance.Width: 44 inch. Dimensions: Depth: 19 inch Height: 83 cm Width: 114 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 792]
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Lounge Table "Hélard" (Bout de canapé) is an exquisite realization of the Transition style, capturing the precise moment in French decorative arts when the playful curves of the Louis XV era began to merge with the structured neoclassicism of Louis XVI. Handcrafted from a luxurious combination of rosewood and violet wood veneer, the table features a rectangular form with a single frieze drawer and a practical lower shelf, providing both functional utility and aesthetic balance. Its silhouette is defined by four slender cabriole legs that retain a graceful, rhythmic sweep, terminating in refined gilt – bronze accents. The "Hélard" model is distinguished by its masterful use of pictorial and geometric marquetry, where the facade of the frieze drawer is decorated with a complex diamond – pattern parquetry creating a three – dimensional lattice effect, with each segment embellished by a delicate, hand – cut four – leaf clover (quatrefoil) motif providing a rhythmic contrast to the dark violet wood background. This precision extends to the side panels and lower shelf, which exhibit book – matched rosewood veneers carefully aligned to showcase the natural, radiating grain of the timber and emphasize the table's architectural volume. The table is further elevated by a series of custom – cast ormolu (gilt – bronze) mounts, including a subtle, chiseled bronze pull – handle that integrates seamlessly into the marquetry, and gilt – bronze espagnolettes featuring scrolled acanthus leaves that crown each leg. These ornamental lines terminate in refined bronze sabots (shoes) that protect the delicate veneer of the feet from wear, ensuring the piece remains a stable and dignified anchor within a luxury interior.Height: 18 inch. Dimensions: Width: 31 inch Depth: 31 inch Height: 48 cm Width: 80 cm Depth: 80 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 794]
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Fauteuil Montespan in Louis XV Style is a virtuosic example of mid – 18th – century Rococo menuiserie, handcrafted from solid beechwood to serve as a regal centerpiece in any high – luxury salon. As an authentic reproduction of a Period Style antique, the frame is defined by the complete rejection of straight lines, featuring a fluid, continuous silhouette that sweeps from the tall "en cabriolet" backrest – which features an arched top rail and a central hand – carved cartouche adorned with delicate handmade fleurettes – down to the elegantly curved armrests. The entire frame is finished in an opulent hand – applied copper leaf, meticulously aged and distressed to create a rich patina that highlights high – relief sculptural details like the fine foliate scrolls and the deep serpentine apron of the seat rail, which is decorated with a secondary mirrored floral crest. This organic "S – curve" extends to the four classic cabriole legs, each featuring pronounced floral carvings at the "knee" and terminating in refined scrolled volute feet. True to its heritage status, the chair’s interior is built using ancestral techniques, featuring traditional leaf fibre trimming over helical steel springs for lasting structural resilience, and is expertly upholstered in Athena by Lelièvre. This luxury damask textile, with its grandiose botanical pattern in golden tones against a dark, textured background, provides a striking contrast to the warm metallic frame, emphasizing the hand – finished nature of the piece and its connection to the rustic elegance of Brittany.Hauteur: 99 cm Largeur: 65 cm Profondeur: 54 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 795]
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Glass Case "Lacroix" is a sophisticated realization of the Louis XVI style, serving as a masterful tribute to the geometric precision and noble materials favoured by the legendary master cabinetmaker Roger Vandercruse dit Lacroix (RVLC). Handcrafted from solid cherrywood, this monumental silver cabinet exemplifies the architectural verticality of the late 18th – century French court, featuring a clean – lined rectangular frame with two expansive glass doors that allow for the unobstructed display of precious collections across four levels of glass shelving. The facade is defined by its balanced proportions, highlighted by subtle molded paneling and delicate brass escutcheons that secure the central joinery. True to the Neoclassical aesthetic, the cabinet is supported by four tapered legs, each crowned and terminated by polished silver or brass ferules, which provide a sense of refined lightness to the substantial cherrywood structure. Finished in a warm, lustrous 13A patina, this piece bridges historical French savoir – faire with functional elegance, making it an ideal anchor for a formal dining room or library. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 798]
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"Avisse" Armchair is a distinguished realization of the Louis XVI style, serving as a masterful tribute to the architectural sobriety and refined ornamentation favoured by the Parisian menuisiers of the late 18th century. Handcrafted from solid beechwood, the frame is defined by a rhythmic moulding that elegantly traces the tall, slightly flared "en cabriolet" backrest and sweeps down to meet the set – back armrests. As an authentic reproduction of a Period Style antique, the chair exhibits masterful carving details, including scrolled volutes on the armrest terminals and a deep serpentine apron on the seat rail that emphasizes the organic yet structured silhouette. The piece is supported by four classic cabriole legs, each featuring pronounced foliate carvings at the "knee" and terminating in refined scrolled volute feet, a sophisticated carryover from the mid – century Rococo aesthetic. True to the highest standards of French savoir – faire, the seat and backrest are built using traditional upholstery techniques to ensure a firm, tailored profile. Finished in a warm, lustrous 11A patina, the frame provides a dignified anchor for the smooth taupe velvet upholstery, which is expertly secured by a continuous row of dark brass nailhead trim (cloutage), creating a timeless statement piece of provincial elegance. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 799]
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Cabriolet "Grosset" Armchair is a virtuosic example of mid – 18th – century French Rococo menuiserie, handcrafted from solid beechwood to embody the sensual elegance and fluid ornamentation of the Louis XV style. As a faithful reproduction of a Period Style antique, the frame is characterized by a complete rejection of straight lines, featuring a tall, flared "en cabriolet" backrest with an arched top rail centred by a hand – carved floral cartouche and delicate fleurettes in high relief. This organic silhouette sweeps down into sinuous, set – back armrests and a deep serpentine apron on the seat rail, which is prominently decorated with a secondary mirrored floral crest. The entire frame is finished in an opulent hand – applied copper leaf with a distressed patina that highlights the depth of the artisanal carvings on the four classic cabriole legs, each terminating in refined scrolled volute feet. Adhering to the highest standards of French savoir – faire, the interior features traditional upholstery to maintain its tailored profile. The piece is expertly finished in Verdi Brocade by Lelièvre / Tassinari, a luxury textile featuring a grandiose, multi – tonal botanical pattern with a central vase motif that provides a regal contrast to the warm, metallic frame. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 800]
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Cabriolet Armchair an exquisite realization of the Transition style, serving as a masterful tribute to the architectural precision and refined ornamentation of the legendary Parisian menuisier Georges Jacob. Handcrafted from solid beechwood, the frame is defined by an elegant medallion (oval) backrest featuring a continuous, deep – channeled moulding that sweeps down to meet the gracefully set – back armrests. As an authentic reproduction of a Period Style antique, the chair showcases virtuosic carving details, including scrolled volutes on the armrest terminals and a circular seat rail punctuated by square raccordement dies featuring precision – carved rosette medallions. The piece is supported by four classic tapered and fluted legs, highlighting the neoclassical return to antiquity favoured during the late 18th – century French court. Adhering to the highest standards of French savoir – faire, the seat is built using traditional upholstery techniques to ensure a firm, tailored profile. Finished in a warm, lustrous 13D patina with hand – painted highlights, the frame provides a dignified anchor for the Sparks textile by Dedar, a contemporary textured fabric that provides a striking visual contrast to the historic silhouette. Standing at a height of 89 cm, this refined cabriolet bridges historical French menuiserie with avant – garde textile design, making it a definitive statement piece for a formal interior. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 802]
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Chaise à Coiffer in Louis XV Style is a specialized and elegant realization of 18th – century French menuiserie, specifically designed with a lowered backrest to facilitate the elaborate hairdressing rituals of the Rococo era. Handcrafted from solid beechwood, the frame is a virtuosic display of organic movement, featuring a fluid, continuous silhouette that completely rejects straight lines in favour of a sweeping "en cabriolet" backrest. As an authentic reproduction of a Period Style antique, the frame is adorned with handmade fleurette sculptures – delicate floral motifs hand – carved in high relief – which sit at the centre of the arched top rail and the deep serpentine apron of the seat rail. The chair is supported by four classic cabriole legs, each featuring pronounced floral carvings at the "knee" and terminating in refined scrolled volute feet. Adhering to the highest standards of French savoir – faire, the piece features traditional upholstery with helical steel springs and leaf – fibre trimming to ensure lasting structural resilience. This regal piece is expertly finished in a luxury Rubelli fabric, whose intricate textile design provides a striking, contemporary contrast to the historic, hand – finished frame, making it a definitive statement piece for a sophisticated dressing room or salon. Dimensions: Height: 33 inch Width: 16 inch Depth: 17 inch Height: 84 cm Width: 42 cm Depth: 37 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 803]
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Louis XVI style Cylinder Lady's Desk "Forel" is a virtuosic realization of 18th – century French cabinetmaking, serving as a sophisticated tribute to the architectural precision and noble materials favoured by the royal court. Handcrafted from solid cherrywood, the desk exemplifies the transition toward Neoclassical rigor, featuring a clean – lined rectangular frame supported by four slender, tapered legs that terminate in refined brass ferules. The facade is a showcase of masterful marquetry and parquetry work, characterized by a dramatic cylinder (roll – top) lid featuring a large central oval medallion with a pictorial floral basket inlay, flanked by expansive panels of burr – wood veneer. The desk’s functional elegance is elevated by its complex storage configuration and custom gilt – bronze (ormolu) mounts: The Exterior: The upper tier features three small frieze drawers, while the lower section contains a large central drawer flanked by two side drawers, all adorned with circular brass pull – rings and delicate beaded mouldings. The front corners are accented with hand – cast bronze espagnolettes that emphasize the desk's verticality and regal status. The Interior: Upon opening the cylinder lid, a specialized writing sanctuary is revealed, featuring a pull – out leather – lined writing surface and an architectural arrangement of three small central drawers flanked by open pigeonholes. The interior cabinetry is finished with the same meticulous attention to grain alignment as the exterior, ensuring a seamless aesthetic transition. Design Inspiration: This model draws primary inspiration from the "Bureau à Cylindre" designs of legendary ébénistes such as Jean – Henri Riesener and David Roentgen, who specialized in creating multifunctional, mechanical furniture for the French aristocracy.Height: 39 inch. Dimensions: Width: 31 inch Depth: 18 inch Height: 100 cm Width: 80 cm Depth: 47 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 804]
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Dubois Display Cabinet (Louis XV style) is a virtuosic expression of mid – 18th – century French ébénisterie, characterized by the fluid, organic lines and luxurious materials that defined the height of the Rococo Period Style while drawing primary inspiration from legendary cabinetmakers such as BVRB (Bernard II van Risamburgh) and Jean – Pierre Latz. Handcrafted from a sophisticated combination of rosewood and violet wood, the monumental vitrine features a dramatic arched pediment and two expansive glass doors framed by undulating curves that mimic the naturalistic movement favoured by the royal court. The true hallmark of the "Dubois" model is its masterful use of pictorial marquetry, specifically on the lower door panels which are decorated with complex floral bouquet inlays rendered in contrasting precious woods and set within a diamond – pattern parquetry field bordered by a rhythmic "rope – twist" or boxwood stringing. This architectural volume is further enhanced by book – matched violet wood veneers on the side panels, carefully aligned in a radiating "sunburst" or V – shape pattern to showcase the natural grain, while the bottom rail features a deep serpentine apron that transitions into four slender cabriole legs to emphasize the "S – curve" silhouette. Elevated by custom – cast gilt – bronze (ormolu) mounts, the cabinet includes elongated bronze espagnolettes with scrolled acanthus leaves on the front corners, a magnificent asymmetrical rocaille motif at the centre of the apron, and refined bronze sabots. The piece is expertly finished in a traditional waxed patina, allowing the rich, multi – tonal hues of the rosewood and violet wood to shine with a soft, historical luster.Height: 58 inch. Dimensions: Width: 33 inch Depth: 15 inch Height: 148 cm Width: 85 cm Depth: 38 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 806]
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Louis XIV style Bench "Sully 8P" is a monumental realization of late 17th – century Baroque menuiserie, capturing the grand scale and dramatic ornamentation that defined the reign of the Sun King. This elongated masterpiece features an impressive architectural foundation of eight sculpted feet, each hand – carved with rigorous symmetry to exhibit the heavy, square – tapered forms characteristic of the Louis XIV Period Style . The upper portion of each leg is adorned with high – relief gadrooning and acanthus leaf collars, while the lower sections feature vertical channeling that terminates in robust, tiered block feet. These eight supports are interconnected by a complex, scrolled stretcher bar that follows a rhythmic, undulating "H" configuration. This stretcher is a showcase of sculptural prowess, featuring mirrored volute scrolls that meet at central shell motifs (rocaille), providing both superior structural reinforcement and a sense of theatrical movement. The entire beechwood frame is finished in a sophisticated silver leaf patina, which has been meticulously distressed to emphasize the depth of the artisanal carvings. In keeping with the highest standards of French savoir – faire, the expansive seat is traditionally upholstered to maintain a clean, tailored profile that resists sagging. The bench is expertly finished in Pigment by Lelièvre, a luxury deep – charcoal textile with a subtle, matte luster that provides a dignified contrast to the shimmering silver frame. The transition between the fine fabric and the carved timber is highlighted by a continuous row of brass nailhead trim (cloutage), cementing its status as a definitive anchor piece for a grand hallway or the foot of a state bed. 120cm long 40cm deep x 67cm tall This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 813]
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Chauffeuse "Claude Dieudonné" in Louis XV Style is a virtuosic realization of mid – 18th – century French menuiserie, handcrafted from solid beechwood to embody the sensual elegance of the Rococo Period Style while serving as a masterful tribute to Claude Dieudonné, a prominent 18th – century Parisian menuisier active during the height of the Louis XV era. As an authentic reproduction of a Period Style antique, the frame is defined by a complete rejection of straight lines, featuring a tall, slightly flared backrest with an arched top rail that flows seamlessly into a deep serpentine apron and four classic cabriole legs, each showcasing the pronounced foliate carvings at the "knee" and refined scrolled volute feet that defined Dieudonné’s mastery of the Rococo aesthetic. This specialized "fireside chair" design reflects the craftsman's celebrated ability to carve intricate botanical motifs like the fleurette and acanthus leaf into stubborn hardwoods, creating the light, moveable frames favoured for intimate social gatherings of the aristocracy. True to the highest standards of French savoir – faire, the interior is built using ancestral techniques – including traditional leaf fibre trimming on helical steel springs – and is expertly upholstered in Nodo M1 by Lelièvre, a luxury textured fabric with a subtle, multi – tonal weave that provides a sophisticated contemporary contrast to the warm, hand – finished timber frame. The transition between the fine textile and the carved wood is highlighted by a continuous row of brass nailhead trim (cloutage), emphasizing the artisanal nature of a piece whose legacy continues to inspire neoclassical transitions through the refined symmetry found in Dieudonné's late – Period Style designs.Height: 31 inch. Dimensions: Width: 21 inch Depth: 17 inch Height: 81 cm Width: 54 cm Depth: 45 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 814]
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Commode or Chest of Drawers "Schliting" is a virtuosic realization of the Transition style, serving as a monumental tribute to the refined tastes and historical legacy of Baron Basile de Schlichting, the famed 19th – century collector whose benefactions significantly enriched the Louvre’s decorative arts galleries. Handcrafted in the late 18th – century tradition, this commode captures the precise moment when the fluid Rococo silhouette began to surrender to the architectural rigor of Neoclassicism, featuring a ressaut facade where the central section slightly projects forward to create a sense of dignified volume beneath a thick, multi – tonal marble top with a molded serpentine edge. The defining characteristic of this model is its extraordinary pictorial marquetry, which transforms the chest into a narrative canvas divided into three primary panels hand – inlaid with precious woods to depict scenes of 18th – century courtly life, including a magnificent central garden architectural folly with a fountain and checkered courtyard flanked by figures in Period Style dress amidst lush botanical landscapes. These scenes are set within a framework of geometric parquetry with three – dimensional borders and delicate "rope – twist" stringing, while the sophisticated internal configuration of five drawers – including an upper tier of three shallow frieze drawers decorated with scrolling vine motifs and two expansive full – width drawers below – is seamlessly integrated into the facade to maintain the integrity of the artwork. Elevated by extensive gilt – bronze (ormolu) mounts, including hand – cast espagnolettes on the front corners, elaborate circular beaded pull – handles, and a magnificent rocaille trophy at the centre of the serpentine apron, the piece stands on four slender Transition legs that retain a slight cabriole sweep before terminating in refined bronze sabots. Each drawer, constructed with traditional dovetail joinery and a smooth, hand – finished interior, exemplifies the highest standards of French ébénisterie and savoir – faire, honoring the Schlichting collection's prestigious historical pedigree. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 815]
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Directoire Cabriolet "Charret" is a virtuosic realization of late 18th – century French menuiserie, capturing the architectural sobriety and refined Neoclassical ornamentation that marked the transition between the Louis XVI and Empire Period Style s. Handcrafted from solid beechwood, the armchair's frame is defined by a rhythmic play of geometric lines and organic curves, most notably in its tall, rectangular backrest that sweeps outward into elegant scrolled volutes at the top while showcasing a masterfully executed wicker (cane) infill favoured for the intimate social gatherings of the era. The structural foundation is equally sophisticated, featuring a curved apron punctuated by precision – carved diamond and rosette medallions within square raccordement dies, supported by two turned front legs that exhibit delicate ring turning and fluting before transitioning into slender, tapered feet. In a characteristic Directoire gesture, the rectangular back legs extend in a continuous, graceful curve from the floor to the top rail, reinforcing the chair’s structural integrity and dynamic silhouette. Finished in a specialized decorator lacquer with hand – applied copper leaf highlights that accentuate the high – relief carvings and fluted armrest supports, the piece remains true to the highest standards of French savoir – faire with a comfortable sprung seat traditionally upholstered in Diamant by Lelièvre. This luxury textured textile, with its subtle geometric weave, provides a sophisticated contemporary counterpoint to the historic frame, allowing this cabriolet to stand as a definitive statement of provincial elegance that bridges the gap between functional utility and regal display.Height: 34 inch. Dimensions: Width: 22 inch Depth: 18 inch Height: 87 cm Width: 56 cm Depth: 48 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 818]
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Chair "Charret" in Directoire Style is an exquisite interpretation of late 18th – century French menuiserie, capturing the architectural sobriety and refined Neoclassical ornamentation that marked the transition between the Louis XVI and Empire Period Style s. Handcrafted from solid beechwood, the armchair's frame is defined by a rhythmic play of geometric lines and organic curves, most notably in its tall, rectangular backrest that sweeps outward into elegant scrolled volutes at the top while showcasing a masterfully executed wicker (cane) infill. This cane back provides a light, ventilated aesthetic favoured for the intimate social gatherings of the post – Revolutionary era, drawing primary inspiration from the "antique" Greco – Roman forms rediscovered during archaeological expeditions of the time. The structural foundation is equally sophisticated, featuring a sculpted seat rail with a gently curved apron punctuated by precision hand – carved diamond and rosette medallions within square raccordement dies. This horizontal element is supported by two turned front legs that exhibit delicate ring turning and fluting before transitioning into slender, tapered feet. In a characteristic Directoire gesture, the rectangular back legs extend in a continuous, graceful curve from the floor to the top rail, reinforcing the chair’s structural integrity and dynamic silhouette. The entire hand – painted frame is finished in a specialized cream decorator lacquer with hand – applied gold leaf highlights that accentuate the high – relief carvings and the fluted texture of the stiles. True to the highest standards of French savoir – faire, the comfortable sprung seat is traditionally upholstered in a luxury dark textured textile, allowing this dining chair to stand as a definitive statement of provincial elegance that bridges the gap between functional utility and regal display. Dimensions: Height: 35 inch Width: 20 inch Depth: 22 inch Height: 89 cm Width: 51 cm Depth: 57 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 819]
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"Jacob" Armchair in the Desmalter Collection is an exquisite interpretation of the Transition style, serving as a monumental tribute to the legendary workshop of Jacob – Desmalter, which became the principal supplier to the French Imperial palaces. Handcrafted from solid beechwood, the frame is defined by its architectural sobriety and neoclassical precision, featuring a tall, rectangular backrest with a clean – lined channeled moulding that provides a dignified anchor for the piece. As an authentic reproduction of a Period Style antique, the armchair exhibits signature "whiplash" armrests – sinuous consoles that sweep downward in a rhythmic "S" curve to meet the seat rail – supported by fluted stiles. The structural foundation is supported by two turned arrow feet at the front, characterized by their precision ring – turning and tapering verticality, while the rear legs exhibit a slight outward sabre sweep for enhanced stability. True to the highest standards of French savoir – faire, the piece features traditional embossing and is expertly finished in an 11D Tintic patina with deep navy highlights that accentuate the channeled woodwork. This regal armchair is finished in a luxury embossed velvet fabric, featuring a large – scale damask pattern that is meticulously secured by a continuous row of dark brass nailhead trim (cloutage), creating a definitive statement of Imperial elegance.Height: 36 inch. Dimensions: Width: 25 inch Depth: 27 inch Height: 91 cm Width: 65 cm Depth: 69 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 820]
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Louis XVI Armchair "Lerouge" is a masterful interpretation of late 18th – century French menuiserie, capturing the architectural rigor and refined ornamentation that defined the Neoclassical return to antiquity. Handcrafted from solid beechwood, the armchair's frame is characterized by its tall, striking upholstered backrest which features a stepped top rail punctuated by two precision – carved turned finials at the corners. This linear verticality is echoed in the structural stiles, which flow seamlessly into upholstered armrests supported by elegant consoles. These supports are detailed with hand – carved volutes at the hand – rests, sweeping downward in a rhythmic curve that integrates into the fluted uprights of the seat rail. The structural foundation of the "Lerouge" is equally sophisticated, drawing primary inspiration from the work of legendary menuisiers such as Georges Jacob and Jean – Baptiste – Claude Sené, who were celebrated for integrating miniature columns and precisely rendered mouldings into seat furniture for the royal court. The chair is elevated by four turned and fluted arrow legs, characterized by their precision vertical channeling and ring – turned collars, which meet the seat frame at square raccordement dies featuring precision – carved rosette medallions. The entire frame is finished in a warm timber patina with dark ebony – toned highlights that accentuate the depth of the mouldings and the rhythmic texture of the carvings. Consistent with the highest standards of French savoir – faire, the piece is traditionally upholstered in a textured charcoal textile, secured by a continuous row of brass nailhead trim (cloutage) to create a definitive statement of provincial elegance. Dimensions: Height: 34 inch Width: 22 inch Depth: 19 inch Height: 86 cm Width: 57 cm Depth: 48 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 821]
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Vitrine "Maur" is an exquisite interpretation of the Louis XV style, serving as a monumental anchor for the display of fine porcelain or curated collectibles. Handcrafted from solid cherry wood, the cabinet is defined by its architectural elegance and the fluid, organic grace characteristic of mid – 18th – century Parisian ébénisterie, featuring a structure with two grand glazed doors designed with distinctive double – arched "chapeau de gendarme" top rails and matching scalloped lower mouldings that mirror the rhythmic sweep of the apron. This transparency extends to the lateral panels, allowing for multi – angled viewing of the interior's glass shelving, while the cabinet is elevated by a series of custom – cast gilt – bronze (ormolu) mounts that provide both structural protection and regal ornamentation. These embellishments include high – relief bronze espagnolettes on the upper stiles featuring foliate scrolls that transition seamlessly into the vertical lines of the frame, and a lower serpentine apron centred by a magnificent rocaille trophy mount that serves as a focal point for the base. The piece is supported by four slender cabriole legs, each terminating in refined bronze sabots that protect the delicate wood, while the doors are secured by elegant, long – stemmed bronze escutcheons and handles expertly chased to complement the botanical theme. Finished in a warm 13A patina, the Vitrine "Maur" stands at an impressive 189 cm, combining functional utility with the dignified silhouette of a French Period Style antique. H189 L108 P40cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 822]
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Louis XV style Sideboard "Fargelot" is a sophisticated embodiment of mid – 18th – century Parisian luxury, capturing the fluid, "bombé" silhouette that defined the height of the Rococo Period Style . Handcrafted from lime wood and finished in a deep, lustrous black lacquer, the piece draws primary inspiration from the work of renowned ébénistes such as Charles Cressent and Bernard II van Risamburgh (BVRB), featuring a serpentine facade and lateral panels that exhibit a graceful, undulating sweep crowned by a leather upholstered top. The "Fargelot" is elevated by an extensive suite of custom – cast ormolu (gilt – bronze) mounts, including a single, expansive drawer framed by a continuous rocaille border of scrolling acanthus leaves and a central foliate cartouche aged with a delicate verdigris patina. Supported by four slender cabriole legs adorned with high – relief bronze espagnolettes at the shoulder and refined bronze sabots at the feet, the structure also integrates a secondary leather – lined shelf into the lower tier, protected by a continuous pierced bronze gallery. Standing as a definitive statement of French savoir – faire, this piece combines functional utility with the dramatic elegance of a princely salon piece.Height: 33 inch. Dimensions: Width: 39 inch Depth: 17 inch Height: 85 cm Width: 100 cm Depth: 44 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 824]
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Louis XVI Sofa "Lerouge" (3 – seater) is an exquisite interpretation of late 18th – century French menuiserie, capturing the architectural rigor and refined ornamentation that defined the Neoclassical return to antiquity. Handcrafted from solid beechwood, the frame is characterized by an extraordinary structural configuration where the rear legs take the form of continuous fluted columns that cross through the armrests to support a masterfully carved, stepped top rail. This linear verticality is echoed in the front supports, consisting of tapered and fluted legs, each punctuated by square raccordement dies featuring precision – carved rosette medallions. Drawing primary inspiration from the work of legendary menuisiers such as Georges Jacob and Jean – Baptiste – Claude Sené, the seat rail is defined by a clean – lined rectangular apron that flows into traditionally upholstered back and sides supported by elegant, fluted consoles. True to the highest standards of French savoir – faire, the piece features deep, comfortable feather cushions and is expertly secured by a continuous row of brass nailhead trim (cloutage) that creates a striking contrast against the warm, hand – finished timber. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 825]
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Louis XV Easy Chair and Footstool "Meunier" is an exquisite interpretation of mid – 18th – century Parisian luxury, drawing primary inspiration from the legendary Étienne Meunier, a master menuisier celebrated for his fluid, organic designs for the French aristocracy. Handcrafted from solid beechwood, the armchair's frame is a masterclass in Rococo symmetry, featuring a tall, slightly flared backrest with a serpentine top rail that flows into deep, padded wings and elegantly scrolled armrests. This graceful silhouette is anchored by four classic cabriole legs, each adorned with precision – carved acanthus leaf knee motifs and vertical channeling that terminates in refined scrolled volute feet. True to the highest standards of French savoir – faire, the piece is wire – sprung and traditionally upholstered in Olimpia by Rubelli, a luxury deep – navy velvet that provides a regal contrast to the hand – distressed timber frame. The ensemble is completed by a matching Louis XV footstool, which mirrors the armchair's serpentine apron and foliate carvings, while both pieces are meticulously finished with a continuous row of dark brass nailhead trim to secure the deep feather cushions.Height: 39 inch. Dimensions: Width: 27 inch Depth: 23 inch Height: 99 cm Width: 70 cm Depth: 58 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 826]
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French Louis XV Style Salon Vitrine is an exquisite interpretation of mid – 18th – century Parisian ébénisterie, capturing the fluid, organic grace and regal ornamentation that defined the Rococo Period Style . Handcrafted with a distinctive hexagonal silhouette, the cabinet features three expansive glazed panels set within a meticulously worked frame of rosewood and kingwood, providing a panoramic view of the glass – shelved interior, while the wooden surfaces exhibit a masterclass in geometric marquetry with veneers arranged in a rhythmic, diagonal chevron pattern that emphasizes the architectural verticality of the piece. The vitrine is elevated by an extensive suite of custom – cast gilt – bronze (ormolu) mounts serving as both structural reinforcement and high – luxury decoration, including a cornice and frieze crowned by a series of bronze lambrequin mounts featuring scrolled acanthus leaves and central floral motifs, punctuated by high – relief espagnolettes that flow downward along the stiles. Each glass panel is framed by a delicate, beaded bronze moulding, while the central door is secured by an elegant, long – stemmed foliate escutcheon and a precision – chased handle. The structure is supported by four slender cabriole legs, each adorned with high – relief bronze sabots at the feet, beneath deeply scalloped serpentine aprons centred by magnificent rocaille trophy mounts that provide a theatrical focal point for the cabinet's foundation. Standing as a definitive statement of French savoir – faire, this salon vitrine combines functional utility with the dignified presence of a historic palace commission. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 828]
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Louis XVI style Commode or Chest of Drawers "Vandercruse" is a virtuosic realization of late 18th – century ébénisterie, designed in the esteemed half – moon (demi – lune) silhouette that marked the transition toward Neoclassical architectural rigor. Handcrafted from solid cherrywood, the commode is defined by its extraordinary pictorial and geometric marquetry, drawing primary inspiration from the masterworks of Roger Vandercruse (known as Lacroix), whose refined floral and landscape inlays were highly coveted by the French court. The facade features a magnificent central panel hand – inlaid with rosewood and violetwood to depict a detailed pastoral narrative scene, while the flanking curved sides exhibit a rhythmic trellis parquetry pattern punctuated by delicate quatrefoil motifs. The piece is anchored by a thick, multi – tonal marble top and is elevated by an extensive suite of custom – cast gilt – bronze (ormolu) mounts that provide structural protection and regal brilliance, featuring an upper tier of three drawers seamlessly integrated into a horizontal band of scrolling vine marquetry secured by circular brass pull – rings. High – relief bronze espagnolettes crown the front stiles, featuring foliate scrolls that transition into the vertical lines of the frame, while a magnificent rocaille trophy mount centers the scalloped apron. The commode stands on four tapered and fluted legs, punctuated by square raccordement dies and terminating in refined bronze sabots, serving as a definitive masterpiece of French furniture design.Height: 32 inch. Dimensions: Width: 45 inch Depth: 18 inch Height: 83 cm Width: 115 cm Depth: 46 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 829]
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Console Table "Pichon" is a refined interpretation of the Restauration style, capturing the transition from Empire monumentality to the more understated, domestic elegance of early 19th – century France. Handcrafted from solid cherrywood, the table is defined by its clean – lined architectural silhouette and the warmth of its hand – finished timber patina, featuring a deep, projecting top rail with a molded edge that conceals a single expansive drawer. This upper section is supported by two dramatic volute – form leg supports at the front, which sweep downward in a rhythmic "S" curve to terminate in scrolled volutes, while the facade is defined by a clean, unadorned rectangular apron that flows into a recessed back panel divided into two symmetrical fields of matched cherrywood grain. Anchored by a massive, tiered plinth base that serves as a lower shelf for display and structural integrity, the model draws primary inspiration from the work of legendary Restauration – era ébénistes such as Félix Rémond and Bernard Molitor, who were celebrated for their mastery of curved fruitwood forms that replaced elaborate bronze mounts with the natural beauty of the wood itself. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 830]
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Table "Octo" in Directoire Style is a refined interpretation of late 18th – century French menuiserie, capturing the transition from the ornate Louis XVI Period Style to the cleaner, geometric silhouettes of the Neoclassical era. Handcrafted from solid cherrywood, the piece is defined by its architectural octagonal top, which showcases a masterclass in radial wood cuts; the veneers are arranged in a rhythmic, sunburst pattern that draws the eye toward the centre of the table while emphasizing the natural warmth and varied grain of the timber. This linear precision is echoed in the deep, faceted apron that provides a dignified horizontal anchor for the structure. The table is supported by a sophisticated central pedestal system characteristic of the Period Style 's preference for stability and Greco – Roman symmetry: The Pedestal: The upper support features a multi – faceted, urn – shaped baluster that transitions into a substantial square – sectioned central column.The Legs: The structure is anchored by a quadripod base, consisting of four elegantly curved legs that sweep outward in a graceful "sabre" profile. Each leg terminates in a high – relief bronze lion’s paw sabot, a classic Directoire motif that provides both structural protection and a final touch of regal brilliance. This design draws primary inspiration from the work of legendary ébénistes such as Guillaume Beneman and Georges Jacob, who were celebrated for pioneering the use of pedestal supports and "antique" animal – form bronzes in Parisian salon furniture during the 1790s.Height: 75 cm diameter: 140cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 832]
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Louis XIV style « Restif » Commode or Chest of Drawers is a powerful embodiment of the Baroque architectural style, capturing the transitional Period Style where the massive sobriety of the early 17th century began to adopt the rhythmic, flowing lines of the late Grand Siècle. Handcrafted with a lightly flowing front and distinctive bowed (bombé) sides, the commode exhibits a monumental silhouette that is anchored by four sturdy, straight legs characterized by their squared section and slight taper. This robust structural design draws primary inspiration from the work of legendary ébénistes such as André – Charles Boulle, who was celebrated for creating large – scale cabinetry for the Palace of Versailles that prioritized symmetry and theatrical presence. The cabinet's facade is organized into a sophisticated configuration of three large drawers, each meticulously finished with recessed panels that emphasize the horizontal sweep of the piece. The ornamentation is defined by an extensive suite of bronze decoration, featuring: The Hardware: Each drawer is adorned with two elaborate bronze handles cast in a foliate "bail" design, flanked by decorative backplates that mirror the scrolling acanthus motifs. Escutcheons: The central axis of each drawer is punctuated by a high – relief bronze escutcheon, featuring intricate shell and mask motifs that are typical of the Louis XIV ornamental lexicon. woodwork: While the piece focuses on the natural beauty of the timber grain, the framing of the drawers showcases a masterclass in matched – veneer marquetry, where the wood is arranged in a geometric parquetry pattern to create a rhythmic contrast between the drawer fronts and the structural stiles. True to the highest standards of French savoir – faire, the commode features a scalloped serpentine apron at the base and a thick, molded top rail, making it a definitive statement of provincial elegance that bridges the gap between functional storage and regal display. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 835]
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Commode or Chest of Drawers "Lorient" in Louis XV Style is a masterful expression of mid – 18th – century provincial elegance, capturing the fluid, organic grace of the Rococo Period Style . Handcrafted from solid cherrywood with internal components such as the backs made of solid chestnut wood, the commode features a dramatic triple – arc "bombé" facade and lateral panels that exhibit a graceful, undulating sweep. This curvilinear silhouette draws primary inspiration from the prestigious ébénisterie of the mid – 1700s, most notably the work of Mathieu Criaerd and Jean – Charles Ellaume, who were celebrated for their mastery of serpentine forms and the seamless integration of sculptural bronze. The cabinet's configuration and ornamentation exemplify the highest standards of French savoir – faire: Drawers: The piece is organized into three expansive drawers, each meticulously finished with recessed panels that follow the rhythmic "S" curve of the facade. Ormolu Decoration: The commode is elevated by an extensive suite of gilt – bronze (ormolu) mounts, including high – relief foliate handles and central escutcheons cast in a scrolling acanthus design. Legs and Apron: The structure is supported by four slender cabriole legs, each terminating in refined scrolled volute feet, while the deeply scalloped serpentine apron creates a theatrical focal point for the base. woodwork: The cherrywood is finished in a warm, lustrous patina that accentuates the depth of the matched – grain veneers, which are arranged to emphasize the architectural verticality of the stiles against the horizontal flow of the drawers.Height: 33 inch. Dimensions: Width: 47 inch Depth: 20 inch Height: 85 cm Width: 121 cm Depth: 52 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 836]
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Louis XVI Writing Desk "Nouvelet" is a refined example of late 18th – century ébénisterie, characterized by the architectural clarity and neoclassical restraint that defined the era. Handcrafted from solid cherrywood, the structure follows the traditional slanted – front bureau (bureau à pente) form, featuring a hinged writing flap that opens to reveal a tiered interior of small drawers and document cubbies. The desk is defined by its exceptional marquetry work, most notably the central oval medallion on the fall – front, which depicts a delicate floral spray of lilies hand – inlaid in contrasting fruitwoods. This pictorial centre is framed by a diamond – pattern parquetry field, where the cherrywood veneers are arranged in a rhythmic sunburst to emphasize the natural warmth of the grain.The Facade: Below the writing slope, the desk is organized with two small top drawers and one expansive full – width drawer, each bordered by a fine dentil – pattern inlay that echoes the architectural friezes of antiquity. Hardware: The drawers are adorned with precision – cast brass pull – rings and central escutcheons, providing a subtle metallic brilliance against the hand – polished timber. Support: The piece rests on four elegant tapered square – section legs, terminating in discrete brass sabots (feet) that protect the wood while maintaining the piece’s slender, noble silhouette. Design Inspiration: This model draws primary inspiration from the work of renowned menuisiers such as Jean – François Oeben and Roger Vandercruse, who were celebrated for their mastery of geometric floral inlays and functional, compact writing furniture for the Parisian elite.Height: 39 inch. Dimensions: Width: 41 inch Depth: 22 inch Height: 98 cm Width: 105 cm Depth: 55 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 838]
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Wardrobe "Marie – Antoinette" is a stately example of late 18th – century Neoclassical design, capturing the architectural sobriety and refined proportions that defined the aesthetic of the French court during the reign of Louis XVI. Handcrafted from solid cherrywood, the armoire is characterized by its balanced verticality and the rich, warm patina of the natural timber grain. The structure is anchored by two prominent turned and fluted pilasters that frame the facade, featuring vertical channeling and ring – turned collars that draw the eye toward the base. The cabinet’s detailed construction showcases the highest standards of French menuiserie: Pediment and Crown: The wardrobe is topped by a generous crown moulding with a deep, multi – tiered profile that provides a dignified architectural finish to the upper silhouette. Panel Doors: The facade features two grand rectangular doors, each meticulously crafted with raised and fielded panels. These panels are defined by stepped inner mouldings that create a sense of depth and geometric precision, a hallmark of the Marie – Antoinette style. Sides and Hardware: The straight sides echo the door design with large, raised panels, while the central meeting point of the doors is decorated with vertical fluting and secured by elegant, long – stemmed brass escutcheons. Legs and Support: The piece is elevated by four slender tapered and fluted legs, which transition seamlessly from the pilasters to provide a light, noble stance that balances the cabinet's substantial volume. This model draws primary inspiration from the work of royal cabinetmakers like Jean – Henri Riesener, who favoured the use of indigenous fruitwoods and clear, linear forms to create a sense of "domesticated grandeur" for the private apartments of the Palace of Versailles.Height: 82 inch. Dimensions: Width: 51 inch Depth: 22 inch Height: 209 cm Width: 130 cm Depth: 56 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 841]
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Regency Style Table "Sabots" is a sophisticated centerpiece that captures the transition from the structured grandeur of the Louis XIV era to the fluid grace of the early 18th – century Régence Period Style . Handcrafted from solid cherry wood, the table features an expansive circular top with a diameter of 140 cm, showcasing the warm, natural grain of the timber. The structure is defined by a deep, scalloped apron that exhibits a rhythmic, undulating "S" curve, providing a graceful horizontal anchor for the exuberant supports below. The table is elevated by four masterful cabriole legs, characterized by their bold, sculptural presence and specific Period Style ornamentation: The Legs: Each leg is detailed with a high – relief foliate carving at the knee, transitioning into a slender, sweeping curve that emphasizes the organic movement of the Regency style. The Sabots: True to its name, the piece terminates in precision – carved scrolled feet – often referred to as sabots – which feature vertical ribbing and delicate volutes that protect the wood while adding a final decorative flourish. Design Inspiration: This model draws primary inspiration from the work of renowned ébénistes such as Charles Cressent, who was a leading figure of the Regency style and celebrated for his ability to blend architectural stability with high – relief botanical carvings and curvilinear forms. Standing at a height of 75 cm, the Table "Sabots" combines the functional utility of a large dining surface with the refined, transitional elegance that honors the prestigious historical pedigree of early 18th – century French design.Height: 75 cm Diameter: 140 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 843]
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Louis XIV style « Sully » armchair is a masterful expression of the Grand Siècle, capturing the monumental architectural presence and ceremonial dignity that defined the seating of the French royal court. Handcrafted from solid oak, the chair is characterized by its imposing high – backed silhouette, a form designed to frame the sitter with the same geometric rigor applied to the interiors of Versailles. The armchair features a display of Baroque menuiserie and traditional craftsmanship, with sweeping wooden armrests exhibiting a rhythmic "S" curve that terminates in scrolled volutes embellished with high – relief acanthus leaf motifs. These foliate carvings extend downward to supports punctuated by ring – turned detailing, while the structure is supported by four robust baluster – form legs featuring a multi – tiered design with gadrooned bulbous sections and square raccordement dies. The legs are unified for structural reinforcement by an intricate X – form stretcher (entretoise) composed of dramatic scrolling volutes that meet in a central architectural junction. Traditionally executed with steel springs and horsehair stuffing, the chair is upholstered in a luxurious dark tapestry – style fabric featuring a dense polychrome botanical pattern, secured by a continuous border of brass nailhead trim (cloutage). The frame is finished in an antique cream lacquer with gilded accents that highlight the depth of the carvings, drawing primary inspiration from the formal fauteuils created by the workshop of André – Charles Boulle or royal menuisiers like Nicolas – Quinibert Foliot.Height: 49 inch. Dimensions: Width: 20 inch Depth: 24 inch Height: 124 cm Width: 60 cm Depth: 42 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 845]
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Restauration style Easychair "Mauzancieux" is a sophisticated embodiment of early 19th – century French menuiserie, capturing the era's transition toward domestic comfort and understated architectural elegance. Handcrafted from solid beechwood, the chair features a wide, slightly reclining backrest and scrolled armrests that terminate in tightly wound volutes, characterized by a smooth, hand – polished finish that accentuates the timber's natural grain. The structure is elevated by four masterful curvilinear legs, with the front supports exhibiting a rhythmic "S" curve punctuated by ring – turned detailing and dark green spherical sabots (feet), while the seat rail maintains a clean, unadorned horizontal line typical of the Restauration Period Style 's preference for geometric stability.Structure and Comfort: The seat is traditionally executed with helical springs and leaf fibre trimming, ensuring lasting support and a dignified profile. Luxury The chair is finished in a lustrous golden – yellow silk – satin fabric, which provides a radiant contrast to the warm beechwood frame. The Motif: centred on both the backrest and the seat is a magnificent embroidered palmette and fleur – de – lis motif. This intricate design features a central anthemion (honeysuckle) fan flanked by scrolling acanthus leaves and floral rosettes in shades of forest green, burnt orange, and cream, referencing the Neoclassical ornamental lexicon favoured during the Bourbon Restoration. Detailing: The upholstery is secured by a continuous border of brass nailhead trim (cloutage), providing a crisp, metallic definition to the padded surfaces. Drawing inspiration from the work of legendary ébénistes such as Félix Rémond, who was celebrated for creating refined fruitwood seating for the royal residences, the "Mauzancieux" armchair stands as a definitive statement of French savoir – faire.Height: 35 inch. Dimensions: Width: 30 inch Depth: 22 inch Height: 88 cm Width: 66 cm Depth: 57 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 846]
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Louis XV style Armchair "Beaudry" is a sophisticated embodiment of mid – 18th – century French menuiserie, capturing the fluid, organic grace and rhythmic movement that defined the Rococo Period Style . Handcrafted from solid beechwood, the chair features a comfortable curved back and a wide seat rail that exhibits a masterclass in sculptural woodcraft. The structure is elevated by four elegant cabriole legs, with the front supports exhibiting a graceful "S" curve that terminates in refined, hand – carved scrolled feet. The armchair's interior construction and luxurious textile finish highlight the highest standards of traditional French craftsmanship: Structure and Comfort: The seat and backrest are traditionally executed with steel springs and horsehair stuffing, ensuring a dignified profile and lasting functional utility. Luxury The chair is finished in a lustrous golden – yellow silk – satin fabric, which provides a radiant contrast to the warm, hand – polished timber frame. The Motif: centred on both the backrest and the seat is a magnificent embroidered palmette and fleur – de – lis motif. Floral Details: This intricate design features a central anthemion (honeysuckle) fan flanked by scrolling acanthus leaves and floral rosettes in shades of forest green, burnt orange, and cream. Detailing: The upholstery is secured by a continuous border of brass nailhead trim (cloutage), providing a crisp, metallic definition to the padded surfaces against the natural wood mouldings.Height: 35 inch. Dimensions: Width: 20 inch Depth: 23 inch Height: 88 cm Width: 60 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 847]
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A diverse collection of nine decorative vases showcasing a blend of traditional Chinese and Japanese inspirations, ranging from monumental floor vases to smaller, textured accent pieces. The largest items in the collection feature classic blue – and – white and polychrome ceramic techniques: Large Blue and White Dragon Vase: Standing as one of the tallest, this white porcelain vase is decorated with a vivid cobalt blue scene depicting a majestic dragon and stylized clouds. It features dark, sculptural handles on the neck and a flared rim. Tall Blue and White Geometric Vase: A slender, tall vase featuring a complex array of circular medallions, geometric symbols, and scrolling vine patterns in cobalt blue. The neck is adorned with ornate blue – molded handles. Famille Rose Style Vase: This central piece features a polychrome pictorial panel depicting figures in a landscape, surrounded by traditional floral motifs and colorful borders characteristic of the Qing dynasty aesthetic. Floral Baluster Vase: A smaller white porcelain vase decorated with a delicate polychrome floral spray, including blooming peonies and greenery, with a slightly tapered base. Small Footed Bud Vase: In the foreground left, a miniature vase features a ribbed crimson base and a pale yellow flared neck with small decorative handles. Contrasting with the smooth porcelain are four pieces with more organic, tactile finishes: Metallic Glaze Jars (2 Pieces): Two large, stout jars feature a striking dual – textured finish. The upper shoulders are coated in a shimmering metallic copper – bronze glaze, while the lower bodies exhibit a matte, stone – like grey finish with natural pitting. Ribbed Crimson Vase: A medium – sized vessel with a distinctive vertically ribbed (fluted) texture and a deep red glaze that thins at the edges to reveal darker undertones. Glazed Stoneware Pot: Positioned in the back right, this vessel features a mottled grey and brown glaze with a weathered, rustic patina. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 848]
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Louis XV style "Chipier" Cosy Chair is an evocative reproduction of the 18th – century porter's chair (fauteuil à dôme), a specialized form of seating designed to insulate the occupant from the drafts of large, poorly heated halls. Handcrafted from solid beech wood, the chair is defined by its dramatic half – domed hood and high winged backrest, which together create a protective cocoon intended to retain the warmth of a nearby fireplace. Standing at a stately 140 cm in height, the chair exhibits a masterful architectural presence combined with the delicate, organic fluidity of the Rococo Period Style . The structure and ornamentation reflect the highest standards of French menuiserie: The Domed Hood and Frame: The hood is constructed with a series of arched wooden ribs that converge at a central sculpted cresting, featuring high – relief carvings of blooming roses and acanthus leaves. This botanical motif is echoed along the flowing "S" curves of the outer frame and the recessed mouldings of the winged sides. The Seat Rail and Legs: The deeply scalloped serpentine seat rail serves as a theatrical focal point, adorned with a magnificent central floral bouquet carving. The structure is supported by four elegant cabriole legs, each punctuated with foliate knee carvings and terminating in refined scrolled feet. Luxury True to traditional craft, the interior features coil springs and quilted horsehair stuffing to maintain a dignified and comfortable profile. The chair is upholstered in a luxurious neutral – toned textile with a fine, textured weave, creating a sophisticated contrast against the dark, hand – polished patina of the beech wood frame.Height: 55 inch. Dimensions: Width: 30 inch Depth: 31 inch Height: 140 cm Width: 78 cm Depth: 80 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 849]
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Bedside Table "Napoleonville" in Empire Style is a dignified realization of early 19th – century French ébénisterie, capturing the architectural rigor and monumental sobriety that defined the Napoleonic era. Handcrafted from solid cherrywood, the cabinet is elevated by a sophisticated antique grey – wash lacquer finish, which features subtle distressing and a hand – applied patina that emphasizes the piece’s noble, historic character. The structure is defined by its geometric stability and a suite of refined decorative elements: The Facade: The cabinet is organized with a single flush – mounted frieze drawer situated above a single rectangular door, which opens to reveal a tiered interior with a fixed shelf for functional utility. The door is characterized by deep, stepped mouldings that create a sense of recessed architectural depth. Columnar Support: The front stiles are designed as two dramatic full – round detached columns, a classic Empire motif. These columns are crowned by gilt – bronze (ormolu) capitals featuring high – relief laurel leaf motifs and anchored by matching bronze ring bases. Ornamentation and Hardware: The door is secured by an elegant, central gilt – bronze escutcheon cast in a foliate fan design, providing a luminous focal point against the muted lacquer. The Foundation: The structure rests on four robust supports, with the front displaying characteristic Empire – style spherical bun feet that transition seamlessly from the projecting plinth base.Height: 30 inch. Dimensions: Width: 20 inch Depth: 13 inch Height: 75 cm Width: 50 cm Depth: 34 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 850]
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Lady's Desk "Argoat" in Directoire Style is a refined example of late 18th – century ébénisterie, capturing the transition from the ornate Louis XVI Period Style to the austere, linear elegance of the early Neoclassical era. Handcrafted from solid cherrywood, the desk features a tiered architectural structure, consisting of a slender writing table base supporting a raised cabinet top (bonheur – du – jour). The writing surface is adorned with a rich brown leather insert framed by gold tooling, which can be extended by a hinged wooden flap to create a larger workspace. The cabinet’s construction and functional elements reflect the highest standards of French craftsmanship: The Upper Structure: The top section is organized with two small doors featuring inset glass panels and internal shelving, ideal for displaying correspondence or small curios. The doors are secured by central brass escutcheons and a decorative key – and – lock mechanism. The Drawer and Hardware: A single expansive flush – mounted drawer is integrated into the apron, featuring traditional dovetail joinery. The drawer is adorned with two hexagonal brass pull – handles and a central diamond – shaped escutcheon, providing a subtle geometric contrast to the warm cherrywood. Support and Shelf: The desk rests on four elegant tapered square – section legs, which are unified near the base by a full – width solid cherrywood shelf with a scalloped front edge. Each leg terminates in discrete brass sabots. Design Inspiration: This model draws primary inspiration from the work of renowned ébénistes such as Georges Jacob and Guillaume Benneman, who pioneered the Directoire style by using solid fruitwoods and simplified, architectural forms that favoured proportion over heavy carving.Height: 41 inch. Dimensions: Width: 28 inch Depth: 16 inch Height: 104 cm Width: 70 cm Depth: 40 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 852]
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Louis XVI style Stationery Cabinet is a distinguished example of late 18th – century ébénisterie, characterized by architectural symmetry and a refined, functional interior. Handcrafted from solid cherrywood, the structure exhibits a stately verticality, finished with a deep, hand – polished patina that highlights the natural richness of the timber. The cabinet is anchored by four elegant tapered square – section legs (arrow feet), which are punctuated by precision – cast bronze collars and terminate in discrete protective feet. The cabinet’s elaborate construction and ornamentation showcase the highest standards of French menuiserie: The Facade and Panels: The front is organized into three distinct registers. The lower section features two symmetrical doors with recessed, molded panels, while the upper register includes a single expansive flush – mounted drawer adorned with ornate gilt – bronze foliate handles. The Writing Interior: The central section features a fold – down door (abattant) that, when lowered, serves as a refined writing surface finished with a leather insert and gold – tooled borders. The interior is meticulously organized with four small document drawers and open cubbies, providing a sophisticated private workspace. Carving and Ornamentation: The piece is defined by subtle Neoclassical carvings, including a deeply scalloped apron at the base featuring a central floral bouquet and foliate spray. The stiles are further embellished with vertical ring – turned pilasters that lead the eye toward the rounded upper corners. Ormolu Mounts: The cabinet is elevated by high – relief gilt – bronze (ormolu) mounts, including a central foliate plaque on the drop – front and long, chiseled escutcheons on the lower doors. This form of the secrétaire à abattant draws primary inspiration from the prestigious work of Adam Weisweiler and Jean – Henri Riesener, who were celebrated for their ability to integrate architectural solid – wood frames with complex internal compartments for the French nobility. Dimensions: Height: 55 inch Width: 27 inch Depth: 17 inch Height: 140 cm Width: 68 cm Depth: 42 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 853]
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Gueridon Triangle in Louis XVI Style is a sophisticated architectural piece designed for corner placement, capturing the refined neoclassical aesthetic of late 18th – century French ébénisterie. Handcrafted from solid cherrywood, the table is defined by its triangular silhouette and a warm, hand – polished patina that highlights the natural depth of the timber grain. The structure and ornamentation reflect the geometric clarity of the Period Style : The Galleried Top: The table is crowned with a grey – veined marble top set within a decorative pierced brass gallery. This intricate gilt – brass rim serves both an aesthetic and functional purpose, preventing items from sliding off while adding a metallic brilliance to the upper register. The Apron and Drawer: The frieze is organized with a single flush – mounted drawer, adorned with two circular gilt – bronze (ormolu) pull – rings featuring central rosette motifs. The apron is finished with a deeply scalloped lower edge that adds a subtle rhythmic curve to the otherwise linear frame. The Carved Legs: The piece rests on three elegant tapered square – section legs, a hallmark of the Louis XVI style. The front legs are embellished with vertical fluting (rudenture) and crowned with gilt – brass collars, while each leg terminates in a discrete brass sabot. The Stretcher (Shelf): For structural reinforcement and added utility, the legs are unified by a triangular solid cherrywood shelf. This lower surface echoes the shape of the marble top and features a slightly recessed edge to maintain the table’s slender, noble profile. This model draws primary inspiration from the work of renowned master cabinetmakers like Jean – Henri Riesener, who favoured the use of architectural fruitwood frames and delicate bronze mounts to create functional yet luxurious "furniture of the court". This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 855]
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Commode "Poteau" in Louis XV Style is a striking example of the mid – 18th – century French Rococo aesthetic, specifically designed with a dramatic "bombé" (swelled) silhouette. Handcrafted from solid cherrywood, the commode is finished in a deep ebonized black lacquer, providing a bold, theatrical backdrop for its extensive gilt ornamentation. The piece features two expansive drawers with a seamless facade that maintains the fluid, continuous curve of the swell, a technique that requires extraordinary precision in cabinetry. The cabinet’s ornamentation and structural details exhibit the pinnacle of Period Style savoir – faire: Ormolu Mounts: The commode is heavily adorned with precision – cast gilt – bronze (ormolu) decorations, including high – relief foliate handles and a central sculpted apron mount featuring a basket – of – flowers motif flanked by scrolling acanthus leaves. Corner Protection: The front stiles are reinforced with magnificent bronze chutes that flow from the upper shoulders down the length of the legs, terminating in delicate scrolled sabots. Legs and Apron: The structure rests on four slender cabriole legs that emphasize the piece's elegant verticality, while the deeply scalloped serpentine apron creates a rhythmic, undulating base. The Top: The chest is crowned with a matching ebonized wood top featuring a molded edge that follows the serpentine sweep of the facade. This specific style of ebonized bombé furniture draws primary inspiration from the prestigious ébénisterie of the mid – 1700s, where dark finishes were used to highlight the brilliance of bronze mounts. Key historical makers for this style include: Jean – Charles Ellaume: Celebrated for his mastery of the bombé form and his frequent use of expansive, architectural bronze mounts.Width: 35 inch. Dimensions: Depth: 16 inch Height: 83 cm Width: 100 cm Depth: 45 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 856]
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Commode "Hache" in Louis XV Style is a magnificent realization of 18th – century provincial cabinetry, created as a faithful tribute (après) to the work of the legendary master ébéniste Jean – François Hache of Grenoble. Handcrafted from solid cherrywood, the commode is characterized by its powerful "bombé" (swelled) silhouette, exhibiting a dramatic outward sweep on both the triple – arc facade and the lateral panels. The cabinet’s extraordinary marquetry and inlay work serve as a definitive expression of the Hache family’s unique aesthetic: Inlay Panels: The facade is organized into three expansive drawers, each meticulously decorated with three distinct reserve panels. These reserves feature pale burled elm or ash with irregular, organic edges, set against a background of diagonally – matched cherrywood veneers that create a vibrant sense of movement and depth. Marquetry Details: The stiles and the curved sides are further embellished with light – toned scrolling foliate inlays, providing a delicate contrast to the darker, ebonized borders that frame each drawer and structural transition. Ormolu Mounts: The piece is heavily adorned with high – relief gilt – bronze (ormolu) mounts, including scrolled foliate handles and central escutcheons. Magnificent bronze chutes flow from the shoulders down the length of the cabriole legs, terminating in ornate scrolled sabots, while a large neoclassical sunburst and foliate mount anchors the deeply scalloped serpentine apron. Shape of the Top: The chest is crowned with a substantial solid wood top that replicates the undulating "S" curve of the facade, finished with a deeply molded edge that follows the horizontal sweep of the cabinetry. Standing as a definitive statement of French savoir – faire, this commode captures the "provincial – chic" luxury that made Jean – François Hache the most celebrated cabinetmaker outside of Paris during the mid – to – late 1700s.Height: 33 inch. Dimensions: Width: 57 inch Depth: 24 inch Height: 84 cm Width: 147 cm Depth: 63 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 857]
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Louis XVI style Buffet "Dupré" is a magnificent reproduction of a piece originally created by the distinguished 18th – century master ébéniste Dupré, who was renowned for his meticulous attention to detail and his unique ability to fuse the structured lines of the Louis XVI Period Style with the exuberant floral and musical marquetry popular among the Parisian elite. This cabinet captures the peak of Neoclassical elegance through its architectural formed facade and undulating sides, exhibiting the harmonious proportions and high – contrast geometric and pictorial "paintings in wood" for which his work is celebrated. Handcrafted from solid cherrywood and veneered with extraordinary rosewood and violetwood inlaid work, the buffet features three primary inlay panels on the facade representing lush bouquets of flowers and musical instruments, such as a violin and flute, hand – inlaid in precious fruitwoods. The structure is crowned by a substantial marble top with a multi – tiered molded edge, while the apron is anchored by a large gilt – bronze (ormolu) neoclassical urn mount. Its configuration includes three drawers decorated with a rhythmic interlocking circle marquetry pattern, and the entire piece is elevated by slender cabriole legs that transition into ornate bronze chutes and scrolled sabots. High – relief ormolu mounts, including bow – and – ribbon pull rings, add a luxurious glow to the facade, making this buffet a definitive statement of French savoir – faire and a faithful tribute to the historic Dupré style.Height: 33 inch. Dimensions: Width: 49 inch Depth: 19 inch Height: 85 cm Width: 125 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 859]
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Table "Diderot" in Louis XVI Style is a masterful expression of Neoclassical balance and structural clarity, standing as a definitive example of late 18th – century French menuiserie. Handcrafted from solid cherrywood, the table exhibits a warm, hand – polished patina that highlights the precision of the timber's radial and cross – grain cuts. The design is named in honor of Denis Diderot, the Enlightenment philosopher who championed the marriage of intellectual rigor and manual skill; this table reflects that legacy through its honest construction and refined proportions. The structure of the table is defined by its architectural sobriety and sophisticated detailing: The Top and Apron: The expansive circular top features a segmented cherrywood veneer with a cross – banded border and fine ebony – style stringing that forms a subtle geometric cross pattern. The deep, straight – edged apron provides a stable horizontal foundation, emphasizing the table's functional permanence. Leg Shape and Ornamentation: The table is supported by four elegant tapered square – section legs, which are punctuated by vertical fluting (rudenture) that leads the eye toward the base. Each leg is crowned with a gilt – brass collar featuring a rhythmic gadrooned pattern and terminates in a matching brass sabot. Structural Purity: Eschewing the exuberant curves of the preceding Rococo era, the "Diderot" table relies on the strength of its linear geometry and the natural beauty of the cherrywood grain to achieve its noble presence.Height: 30 inch Diameter: 55 inch Diameter: 140 cm. Dimensions: Height: 75 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 861]
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Louis XV style Sideboard "Saumur" is a masterful example of mid – 18th – century French provincial cabinetry, exhibiting the fluid grace and organic ornamentation characteristic of the Rococo Period Style . Handcrafted from solid cherrywood, the sideboard is defined by its substantial architectural presence and a warm, hand – polished patina that highlights the richness of the timber. The cabinet features an array of sophisticated structural and decorative elements: The Marble Top: The sideboard is crowned with a thick, rose – and – cream veined marble top. The stone features a meticulously polished surface and a straight, squared edge that provides a stable, luxurious foundation for the elaborate woodwork below. The Panelled Doors: The facade is organized with two expansive doors, each featuring a deeply recessed central panel. The panels are framed by arched, asymmetrical mouldings that transition into exuberant Rococo carvings. These hand – sculpted details include high – relief central shells (rocaille), scrolling acanthus leaves, and delicate floral sprays that appear to grow organically from the frame. The Central Pilaster: The doors are separated by a central fixed pilaster, which serves as a vertical focal point. It is adorned with a large, sculpted scallop shell at the top and a corresponding foliate motif at the base, unifying the decorative program of the facade. Hardware and Detailing: The doors are equipped with long, ornate steel or iron escutcheons and decorative pivot hinges (fiches), traditional to high – quality French provincial furniture. Rounded corners with vertical reed detailing further soften the cabinet's transition to the side panels. The Plinth Base: Unlike pieces with slender legs, the "Saumur" rests on a robust, continuous plinth base. This solid foundation features a subtle stepped moulding that grounds the piece and emphasizes the architectural stability favoured in the Loire Valley region. Regional Connection to Saumur: This style relates directly to the Saumur region and the broader Loire Valley, where the "Saumurois" aesthetic emerged in the 18th century. Local menuisiers were renowned for their ability to interpret the sophisticated Rococo styles of Paris into more substantial, solid fruitwood pieces. The use of the plinth base and the specific deep – relief shell carvings are hallmarks of Saumur – style sideboards, designed to provide both grand decorative impact and lasting durability for the region's aristocratic estates.Height: 38 inch. Dimensions: Width: 61 inch Depth: 20 inch Height: 97 cm Width: 155 cm Depth: 51 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 863]
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Commode "Gerbou" in Louis XVI Style is a sophisticated realization of Neoclassical ébénisterie, characterized by a break – front architectural facade and a masterclass in geometric parquetry. Handcrafted from solid cherrywood, the commode is elevated by extraordinary rosewood and violetwood inlaid work, showcasing a vibrant contrast between the warm fruitwood and the deep, dark framing veneers. The cabinet's construction and decorative program reflect the highest standards of late 18th – century French craftsmanship: The Cabinet and Top: The structure is crowned with a matching solid cherrywood top featuring a molded edge that follows the projecting central section of the formed facade. Inlay Work and Panels: The facade is divided into six distinct inlay panels, with the lateral panels exhibiting burled wood reserves framed by stepped cherrywood mouldings. Central Parquetry: The central panels feature a complex lozenge – pattern (diamond) parquetry, bordered by a delicate barber – pole stringing in ebony and boxwood. Ormolu Mounts: The commode is adorned with precision – cast gilt – bronze (ormolu) mounts, including circular guilloché – pattern pull rings, central escutcheons, and bronze chutes featuring draped neoclassical consoles. The Base and Legs: Eschewing a heavy plinth base, this model rests on four elegant cabriole legs, each finished with brass sabots. Regional Connection: The "Gerbou" style relates to the prestigious lineage of Parisian master cabinetmakers who combined rigorous geometric parquetry with high – relief bronze mounts to emphasize a discipline in proportion and symmetry.Height: 32 inch. Dimensions: Width: 44 inch Depth: 19 inch Height: 83 cm Width: 114 cm Depth: 50 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 864]
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Louis XVI style Desk Chair is an elegant expression of neoclassical design, defined by its architectural symmetry and refined structural restraint. Handcrafted from solid beechwood, the chair features a warm, hand – polished finish that accentuates the natural grain of the timber while maintaining the formal discipline of late 18th – century French menuiserie. The frame exhibits a suite of masterful, handmade decorative carvings: The Backrest and Silhouette: The chair is designed with a low, enveloping barrel – style backrest that curves seamlessly forward to form the armrests. The wooden frame is punctuated by a continuous recessed moulding, providing a sharp, linear definition to the upholstered interior. The Armrests and Supports: The hand – rests terminate in graceful scrolled volutes, supported by whiplash – style arm – rest supports. These supports feature vertical fluting that draws the eye downward toward the seat rail. The Seat Rail and Raccordements: The curved seat rail is anchored at the front corners by square raccordement dies, each featuring a hand – carved circular rosette motif – a hallmark of the Louis XVI style that signifies the intersection of architectural elements. The Legs: The structure is elevated by four slender arrow feet, which are both turned and fluted. These legs feature ring – turned capitals and vertical rudenture (fluting), tapering elegantly to terminate in discrete, protective feet. Upholstery and Craftsmanship: Reflecting traditional standards of luxury, the seat is constructed with steel springs, ensuring a firm and dignified profile. The chair is upholstered in a textured olive – green and gold fabric with a dense, shimmering weave, secured by a continuous border of brass nailhead trim (cloutage) that provides a metallic contrast to the polished wood. This chair draws inspiration from the fauteuils de bureau created by celebrated royal cabinetmakers such as Georges Jacob, who pioneered the use of fluted legs and architectural rosettes to create furniture that balanced executive function with courtly grace.Height: 33 inch. Dimensions: Width: 23 inch Depth: 23 inch Height: 85 cm Width: 60 cm Depth: 60 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 866]
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Louis XV style Armchair "Cadélac" is a faithful reproduction of a regional masterpiece originally discovered in the village of Cadélac, located in the heart of Brittany near our artisanal workshops. This model epitomizes the Classical Louis XV style, where rigid architectural lines are replaced by a rhythmic, organic fluidity that mirrors the natural world. The armchair features a display of masterful menuiserie and traditional French craftsmanship: The Sculpted Frame: Handcrafted from solid wood, the frame is finished in a sophisticated taupe lacquer elevated by radiant gilded accents that trace the undulating curves of the structure. Carvings and Silhouette: The cabriolet – style backrest exhibits a gentle serpentine sweep, punctuated by high – relief gilded carvings. The cabriole legs feature a graceful "S" curve, each crowned with a delicate floral motif at the knee and terminating in refined scrolled feet. The Arms and Seat Rail: The armrests are padded for comfort and supported by recessed, curvilinear stiles, while the serpentine seat rail is embellished with a central hand – carved rocaille shell and foliate spray. Luxury The chair is finished in the exquisite "Les Ananas" fabric in Bleu by the brand Lelièvre. This lustrous textile features a large – scale, golden damask – style pineapple and floral bouquet motif set against a deep teal – blue background, a design that references the 18th – century fascination with exotic botanical imports. Regional Significance: By replicating the unique proportions and ornamental details found in the Cadélac original, this armchair serves as a bridge between high Parisian Rococo fashion and the robust, noble heritage of Breton cabinetry. Dimensions: Height: 37 inch Width: 25 inch Depth: 22 inch Height: 96 cm Width: 66 cm Depth: 56 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 869]
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Chaise Amand Riche in Louis XIV Style is a masterful example of late 17th – century menuiserie, capturing the architectural grandeur and rhythmic ornamentation that defined the reign of the Sun King. Handcrafted from solid cherrywood, the chair features a high, slightly flared backrest and a wide seat, exhibiting a monumental presence balanced by delicate openwork. The chair’s frame is a display of virtuosic Baroque carving and traditional craftsmanship: The Backrest and Cartouche: The top rail is dominated by a magnificent central sculpted cartouche, featuring a high – relief floral rosette enclosed in scrolling acanthus leaves. This ornamental crown is flanked by smaller foliate volutes that follow the serpentine sweep of the upper frame. The Caning: Both the backrest and the seat feature traditional hand – woven caning, providing a light, breathable texture that contrasts with the robust wooden structure. The caning is meticulously integrated into the frame, secured by a recessed moulding that follows the undulating lines of the back and seat rail. The Seat Rail and Apron: The deep, scalloped seat rail serves as a theatrical focal point, adorned with a large central rocaille shell carving. This central motif is flanked by intricate diamond – pattern trellis work and hand – carved floral sprays that extend toward the corners. The Legs and Stretcher: The structure is elevated by four elegant cabriole legs, each punctuated with high – relief acanthus carvings at the knee and terminating in refined scrolled volutes. For structural reinforcement, the legs are unified by a dramatic X – form stretcher (entretoise) composed of scrolling curves that meet at a central decorative floral junction. The "Amand Riche" designation refers to the prestigious tradition of high – luxury furniture associated with the Riche family of master cabinetmakers. This model specifically draws inspiration from the transitional Period Style where the heavy, geometric rigor of Louis XIV’s early reign began to incorporate the more fluid, organic carvings that would eventually lead to the Regency style. The use of the sculpted shell and diamond – pattern trellis are hallmarks of the refined pieces created for the French aristocracy during this era of total artistic excellence. Dimensions: Height: 38 inch Width: 20 inch Depth: 16 inch Height: 97 cm Width: 51 cm Depth: 43 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 871]
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Louis XV style Chauffeuse Chair, a low – seated fireside chair (from the French chauffer, to heat) originally designed to allow people – particularly women in voluminous dresses – to sit close to the hearth.This specific piece captures the height of the Rococo aesthetic, characterized by a complete absence of straight lines and a deep reverence for nature. The frame is crafted with the fluid, sinuous lines typical of the mid – 18th century. The Backrest: It features a "cabriolet" (curved) back with a molded frame that follows a violin shape. The wood is intricately carved with a continuous floral and leaf motif. At the very top, the crest rail is crowned with a hand – carved floral spray, acting as a focal point. The woodwork: The exposed beachwood frame shows a light, honey – toned patina with delicate "rocailles" (shell – like carvings) and acanthus leaf details that flow seamlessly into one another. The seat rail (the apron) is a masterpiece of asymmetrical balance. The Cartouche: At the centre of the front seat rail is a prominent cartouche – an oval – shaped ornamental frame. Inside this cartouche, there is a central floral carving that echoes the crest rail above. The Serpentine Shape: The rail itself is not flat; it follows a serpentine (wave – like) curve, which adds a sense of movement to the chair. The transition from the seat rail to the legs is smoothed by carved "knees" decorated with small floral buds. The chair stands on four cabriole legs, perhaps the most iconic feature of the Louis XV style. Each leg follows a graceful S – curve, tapering down to a slender ankle. The Foot: The legs terminate in a scroll foot (also known as a "pied de biche" or doe's foot style), which rests on a small block. This gives the chair an airy, "floating" appearance despite its sturdy construction. Details: The "knees" of the front legs are carved with scrolling acanthus leaves that appear to grow naturally out of the wood.The chair is finished with a luxurious damask silk or brocade featuring a large – scale floral motif. The fabric showcases a symmetrical floral arrangement that contrasts beautifully with the asymmetrical carvings of the wood.It features a thick, separate "loose" cushion (common in more comfortable chauffeuse variations) which sits atop a sprung and padded base.The edges are meticulously finished with a row of decorative brass nailheads (nails à petits dômes), which define the border between the rich textile and the hand – carved wood. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 872]
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Commode à la Hache, in the Louis XV style, is a quintessential piece reflecting the regional mastery of the Hache dynasty of Grenoble. Unlike the more rigid Parisian styles of the Period Style , the "Hache style" is celebrated for its inventive use of indigenous Alpine woods and bold, geometric marquetry. Design and Shape The commode is a "commode sauteuse" (literally "jumping" commode), characterized by its two drawers and long, slender legs that elevate the body. The Bombé Form: The piece features a highly pronounced double – serpentine or "crossbow" (en arbalète) movement across the front and sides. Structure: The curved uprights (corners) flow seamlessly into the cabriole legs, creating a fluid, continuous silhouette typical of the mid – 18th century. The Hache family was renowned for avoiding expensive imported ebony in favour of local Alpine timbers, which they transformed into vibrant works of art. Materials: This piece showcases burr walnut, ash, plum, and sycamore maple. The dark, swirling grain of the walnut burl is used to create rich, organic textures. Inlaid Panel Work: The drawers and side panels feature reserve panels outlined in contrasting boxwood or holly "fillets" (thin stringing). Technique: A hallmark of the Hache workshop seen here is hot – sand shading. By dipping small pieces of veneer into hot sand, the craftsmen created a natural gradient or "shadow" effect that gives the marquetry a three – dimensional depth. Ormolu Mounts (Gilt Bronze) While Hache furniture often let the wood grain speak for itself, luxury pieces like this are adorned with chased and gilded bronzes. The Apron: A central rocaille cartouche mount sits at the base of the lower drawer, featuring scrolling acanthus leaves and shell motifs. Handles and Escutcheons: The handles are designed as fluid foliage scrolls, and the keyhole escutcheons are often topped with crowns or mascarons – a specific design favoured by Thomas and Pierre Hache. Protective Mounts: The legs are tipped with sabots (bronze "shoes") and the "knees" of the legs feature chutes (cascading mounts) that protect the delicate wood corners. The Hache workshop was one of the most significant furniture dynasties in French history, spanning four generations. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 874]
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Louis XVI style Armchair "Lerouge" is a quintessential example of the neoclassical movement in French furniture, emphasizing geometric discipline and architectural symmetry. The frame is characterized by clean lines and balanced proportions, a direct reaction to the fluid curves of the preceding Rococo era. Back – rest: It features an upright, upholstered back – rest with a rectangular or slightly curved frame, finished with reeded carvings or fluting. Top Rail & Finials: The top rail is crowned with turned finials at the corners, a distinctive decorative element that draws inspiration from classical columns and architectural urns.Carving Motifs: The woodwork typically features motifs such as acanthus leaves, floral medallions, or "torch and arrow" details, symbolizing Greco – Roman influence. The arm – rests are designed for both elegance and structure, meeting the seat frame at a clean right angle. Upholstered Arm – rests: These are fitted with padded "manchettes" (arm pads) to provide comfort without obscuring the delicate carvings of the wood. Supports: The supports are typically turned and shaped with an elegant curve that sweeps down to meet the front corners of the seat. They are decorated with acanthus scrollwork fluted detailing to match the rest of the frame. The lower half of the chair showcases the rigid structural beauty of the Louis XVI style. The Apron: The front and side seat rails (aprons) are decorated with straight mouldings or fluting. At the corners where the legs meet the rail, there are square blocks known as "die joins," which are frequently carved with symmetrical rosettes. Arrow Legs: The chair stands on turned and fluted arrow legs. These are tapered cylinders separated from the main leg by a turned ring, giving them the appearance of a downward – pointing arrow. The vertical fluting (grooves) mimics the columns of classical Greek and Roman temples. Finishing: The luxury textile is secured with meticulous braiding or decorative brass nailheads (à petits dômes), which create a clean, crisp border between the fabric and the hand – carved wood. Dimensions: Height: 34 inch Width: 22 inch Depth: 19 inch Height: 86 cm Width: 57 cm Depth: 48 cm. This Hand Crafted piece orignates from the Paris Design House Ateliers Allot [ Ref: 875]
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A contemporary terracotta rust crescent-shaped curved sofa, expertly upholstered in premium velvet from the prestigious fabric house ILIV. Combining ultimate comfort with a luxury boutique aesthetic, its fluid, organic silhouette features a continuous sloping backrest that flows seamlessly into integrated armrests over a deeply padded seat. Finished with a sleek, dark recessed plinth base in a rich velvet tone, this sofa measures approximately 1800mm in width, 1100mm in depth, and 790mm in height (with a 450mm seat height)
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A contemporary terracotta rust crescent-shaped curved sofa, expertly upholstered in premium velvet from the prestigious fabric house ILIV. Combining ultimate comfort with a luxury boutique aesthetic, its fluid, organic silhouette features a continuous sloping backrest that flows seamlessly into integrated armrests over a deeply padded seat. Finished with a sleek, dark recessed plinth base in a rich velvet tone, this sofa measures approximately 1800mm in width, 1100mm in depth, and 790mm in height (with a 450mm seat height)
Featured lot
Provisionally sold
Leading
Won
Outbid
Lost
Declined
Reserve not met
Leading
257
A contemporary terracotta rust crescent-shaped curved sofa, expertly upholstered in premium velvet from the prestigious fabric house ILIV. Combining ultimate comfort with a luxury boutique aesthetic, its fluid, organic silhouette features a continuous sloping backrest that flows seamlessly into integrated armrests over a deeply padded seat. Finished with a sleek, dark recessed plinth base in a rich velvet tone, this sofa measures approximately 1800mm in width, 1100mm in depth, and 790mm in height (with a 450mm seat height)
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